Pedals that stack with the Friedman BE-Mini

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Feed a high gain signal into Friedman BE-OD and it comes out closer to tight

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)

Browne Amplification Carbon pushes a high gain tone toward clean boost

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)

Into the BE-Mini's studio-grade, high-gain saturation, the King of Tone's transparent boost pushes real gain.

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → modulated)

Run JHS Emperor after Friedman BE-Mini in the signal chain, clear of Friedman BE-Mini's own gain stage

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Triple Flashback Delay in Friedman BE-Mini's effects loop, clear of Friedman BE-Mini's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Keep Friedman BE-Mini's high gain voice out front: Meris Mercury7 Reverb goes in Friedman BE-Mini's effects loop so its ambient voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

DryBell Unit67 Compressor's own compressed character is the real reason this is worth trying

Goes in front of the amp