Pedals that stack with the Friedman JEL-20
← everything about the Friedman JEL-20
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Friedman BE-OD
Friedman
29% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)
The JEL-20's natural, boutique high-gain tube tone gives the BE-OD's tight, modern hard-rock gain a warmer front end to push into.
Goes in front of the amp
Browne Amplification Carbon
Browne Amplification
28% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)
The JEL-20's natural, boutique high-gain tube tone gives the Carbon's country-voiced crunch a heavier front end to push into.
Goes in front of the amp
Browne Amplification Gritador
Browne Amplification
27% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)
The JEL-20's natural, boutique high-gain tube tone gives the Gritador's asymmetrical clipping a heavier front end to push into.
Goes in front of the amp
Wampler Cory Wong
Wampler
19% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.
What Friedman JEL-20 brings here leans toward high gain — that's worth building a pairing around
Goes in front of the amp
Caroline Guitar Company Parabola State Tremolo
Caroline Guitar Company
18% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Caroline Guitar Company Parabola State Tremolo after Friedman JEL-20 in the signal chain, clear of Friedman JEL-20's own gain stage
Goes in front of the amp
TC Electronic Triple Flashback Delay
TC Electronic
16% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Triple Flashback belongs in the JEL-20's effects loop, where its complex delay repeats stay clear of the head's own high-gain stage. — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Cusack Music Reverb SME
Cusack Music
15% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)
Run Cusack Music Reverb SME in Friedman JEL-20's effects loop, clear of Friedman JEL-20's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop