Pedals that stack with the Fryette Deliverance 120H II

← everything about the Fryette Deliverance 120H II

All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence

Suhr Shiba Drive

Suhr

18% match
$200via Reverb

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Suhr Shiba Drive takes that high gain character and pushes it toward mid-forward

Goes in front of the amp

Cusack Music Screamer

Cusack Music

17% match

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Cusack Music Screamer takes that high gain character and pushes it toward mid-forward

Goes in front of the amp

Electro-Harmonix Deluxe Electric Mistress

Electro-Harmonix

17% match
$200.42via Reverb

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → shimmer)

Electro-Harmonix Deluxe Electric Mistress's shimmer voice goes after Fryette Deliverance 120H II in the signal chain — it's not there to compete with Fryette Deliverance 120H II's own high gain character

Goes in front of the amp

Keeley Red Dirt Overdrive

Keeley

17% match

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Keeley Red Dirt Overdrive pushes a high gain tone toward mid-forward

Goes in front of the amp

TC Electronic Hall of Fame Reverb

TC Electronic

14% match

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Keep Fryette Deliverance 120H II's high gain voice out front: TC Electronic Hall of Fame Reverb goes in Fryette Deliverance 120H II's effects loop so its ambient voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

Meris Mercury7 Reverb

Meris

14% match
$299via Reverb

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Meris Mercury7 Reverb's ambient voice goes in Fryette Deliverance 120H II's effects loop — it's not there to compete with Fryette Deliverance 120H II's own high gain character — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

Wampler Ego Compressor

pedal

10% match

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Fryette Deliverance 120H II leans toward high gain, and that's a real, usable character to pair with

Goes in front of the amp

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