Pedals that stack with the Fryette Deliverance II

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Stack Greer Tomahawk on top and a high gain tone tightens toward tight

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Stack Keeley Red Dirt Overdrive on top and a high gain tone tightens toward mid-forward

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Feed a high gain signal into Shin's Music Dumbloid and it comes out closer to tight

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Put Electro-Harmonix Stereo Pulsar after Fryette Deliverance II in the signal chain, clear of Fryette Deliverance II's own gain stage

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Fryette Deliverance II's own full character is the real reason this is worth trying

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Triple Flashback Delay in Fryette Deliverance II's effects loop, clear of Fryette Deliverance II's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Keep Cusack Music Reverb SME in Fryette Deliverance II's effects loop, clear of Fryette Deliverance II's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop