Pedals that stack with the Fryette Pittbull Ultra-Lead II
← everything about the Fryette Pittbull Ultra-Lead II
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Greer Tomahawk
Greer
17% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)
Greer Tomahawk takes that high gain character and pushes it toward tight
Goes in front of the amp
Suhr Shiba Drive
Suhr
17% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)
Suhr Shiba Drive pushes a high gain tone toward mid-forward
Goes in front of the amp
Keeley Red Dirt Overdrive
Keeley
17% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)
Keeley Red Dirt Overdrive takes that high gain character and pushes it toward mid-forward
Goes in front of the amp
Electro-Harmonix Deluxe Electric Mistress
Electro-Harmonix
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → shimmer)
Put Electro-Harmonix Deluxe Electric Mistress after Fryette Pittbull Ultra-Lead II in the signal chain, clear of Fryette Pittbull Ultra-Lead II's own gain stage
Goes in front of the amp
TC Electronic Triple Flashback Delay
TC Electronic
13% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Fryette Pittbull Ultra-Lead II's tight voice out front: TC Electronic Triple Flashback Delay goes in Fryette Pittbull Ultra-Lead II's effects loop so its tight voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Cusack Music Reverb SME
Cusack Music
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)
Cusack Music Reverb SME's modulated voice goes in Fryette Pittbull Ultra-Lead II's effects loop — it's not there to compete with Fryette Pittbull Ultra-Lead II's own tight character — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Warm Audio Pedal 76 Compressor
Warm Audio
11% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.
What Fryette Pittbull Ultra-Lead II brings here leans toward tight — that's worth building a pairing around
Goes in front of the amp