Pedals that stack with the Fuchs Blackjack21 MKII 112

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Feed a crunchy signal into Ibanez TS10 Tube Screamer Classic and it comes out closer to mid-forward

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Where this leans warm, Friedman BE-OD answers back bright

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Colorsound Overdriver's bright balances out the warm tone

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Acoustic Strymon Compadre Dual Voice Compressor leans toward compressed, and that's a real, usable character to pair with

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Maestro Orbit after Fuchs Blackjack21 MKII 112 in the signal chain, clear of Fuchs Blackjack21 MKII 112's own gain stage

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Strymon El Capistan in Fuchs Blackjack21 MKII 112's effects loop, clear of Fuchs Blackjack21 MKII 112's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-200 Digital Delay in Fuchs Blackjack21 MKII 112's effects loop, clear of Fuchs Blackjack21 MKII 112's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop