Pedals that stack with the Fuchs FBS-700

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → low gain)

A RAT 2 in front of the FBS-700 adds low-gain, cutting distortion the bass head's own clean headroom doesn't otherwise offer.

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)

The high headroom tone has headroom to spare — Marshall Guv'nor leans it toward mid-forward to fill it in

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → fuzzy)

The FBS-700's touring-grade headroom gives the LSTR's scooped, sludgy fuzz serious power to push against.

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

MXR Dyna Comp leans toward bright, and that's a real, usable character to pair with

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR Phase 90 after Fuchs FBS-700 in the signal chain, clear of Fuchs FBS-700's own gain stage

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run the Echorec in the FBS-700's loop and its saturated echoes trail behind the bass amp's clean headroom instead of muddying the front end. — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

Keep the Memory Man in the FBS-700's loop for lush, modulated echo beyond the amp's own touring-grade bass headroom. — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop