Pedals that stack with the Fuchs FBT-700

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Push the FBT-700's punchy, midrange-forward headroom with the LSTR's own scooped, sludgy fuzz and the low end stays thick, not muddy.

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → low gain)

A RAT 2 out front gives the FBT-700's boutique headroom the bright, cutting low-gain distortion it doesn't generate on its own.

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → low gain)

Push the FBT-700's punchy, midrange-forward headroom with the Geezer Butler's own doom-voiced distortion and the low end stays thick, not muddy.

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Fuchs FBT-700 takes that high gain character and pushes it toward tight

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Fuchs FBT-700 takes that high gain character and pushes it toward tight

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Fuchs FBT-700 pushes a high gain tone toward tight

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Stack Fuchs FBT-700 on top and a high gain tone tightens toward tight

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Fuchs FBT-700 pushes a high gain tone toward tight

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Feed a high gain signal into Fuchs FBT-700 and it comes out closer to tight

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Stack Fuchs FBT-700 on top and a high gain tone tightens toward tight

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Stack Fuchs FBT-700 on top and a high gain tone tightens toward tight

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Fuchs FBT-700 takes that high gain character and pushes it toward tight

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Feed a high gain signal into Fuchs FBT-700 and it comes out closer to tight

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Stack Fuchs FBT-700 on top and a high gain tone tightens toward tight

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Stack Fuchs FBT-700 on top and a high gain tone tightens toward tight

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Fuchs FBT-700 pushes a high gain tone toward tight

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Feed a high gain signal into Fuchs FBT-700 and it comes out closer to tight

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Phase 90's psychedelic swirl rides on top of the FBT-700's punchy midrange without stacking any gain.

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (high headroom → compressed)

Ashdown Macchiato Compressor Guy Pratt Signature's own compressed character is the real reason this is worth trying

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Dunlop MXR M299 Carbon Copy Mini's own voicing points at a clean amp's front end, and Fuchs FBT-700 delivers it — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

Keep the Memory Man's lush analog echo in the FBT-700's loop, clear of the amp's own touring-ready, punchy midrange. — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop