Pedals that stack with the Fuchs ODH

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)

Run Shin's Music Dumbloid after it and the bright edge settles into something more smooth

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)

Run Ibanez TS10 Tube Screamer Classic after it and the bright edge settles into something more smooth

Goes in front of the amp

Into Fuchs ODH, Free The Tone ODL-1A-CS Overdriveland Custom w/Ch Cont is right at home: it's built around Dumble-style amps

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)

TC Electronic Classic Sustain leans toward compressed, and that's a real, usable character to pair with

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fuchs ODH's bright voice out front: Boss CE-2 Chorus goes after Fuchs ODH in the signal chain so its modulated voice doesn't muddy it

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Line 6 DL4 Delay Modeler's warm voice goes in Fuchs ODH's effects loop — it's not there to compete with Fuchs ODH's own bright character — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Caroline Guitar Company Kilobyte in Fuchs ODH's effects loop, clear of Fuchs ODH's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop