Pedals that stack with the Fulltone OCD Obsessive Compulsive Drive
← everything about the Fulltone OCD Obsessive Compulsive Drive
All 33 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Free The Tone ODL-1A-CS Overdriveland Custom w/Ch Cont
Free The Tone
31% matchThe OCD's overtone-rich clipping stacks with the ODL-1A's own glassy, Dumble-voiced headroom for two distinct drive characters, not a wall of gain.
Carl Martin Headroom
Carl Martin
29% matchDrive first with the OCD, then let the Headroom's spring reverb trail that gain instead of getting pushed along with it. — goes in the amp's FX loop (or last, into a clean amp)
MXR M134 Stereo Chorus
MXR
29% matchFulltone OCD Obsessive Compulsive Drive's fuzzy fills in what this high headroom tone doesn't make on its own
Walrus Audio Ages
Walrus Audio
29% matchWalrus Ages' full, saturated overdrive stacks another gain stage on top of the OCD's own overtone-heavy crunch.
Ibanez Tube Screamer
Ibanez
28% matchStack a Tube Screamer's blues-forward boost ahead of the OCD and the two clipping stages compound into a thicker, more overtone-rich drive.
Emma DiscomBOBulator
pedal
28% matchThe high headroom tone has headroom to spare — Fulltone OCD Obsessive Compulsive Drive gives it fuzzy to fill it with
Blackstar LT Drive
Blackstar
27% matchRun Fulltone OCD Obsessive Compulsive Drive into that high headroom platform and it finally gets some fuzzy
Catalinbread SFT V2
Catalinbread
27% matchFulltone OCD Obsessive Compulsive Drive's fuzzy fills in what this high headroom tone doesn't make on its own
ToadWorks Barracuda
ToadWorks
26% matchRun Fulltone OCD Obsessive Compulsive Drive into that high headroom platform and it finally gets some fuzzy — also used together by 1 artist
Caroline Guitar Company Parabola State Tremolo
Caroline Guitar Company
25% matchThe OCD's crunchy, overtone-rich clipping gives the Parabola's stage-ready tremolo pulse a driven signal to chop up.
Warm Audio Tube Squealer
Warm Audio
25% matchRun Fulltone OCD Obsessive Compulsive Drive into that high headroom platform and it finally gets some fuzzy
Orange Two Stroke
Orange
25% matchFulltone OCD Obsessive Compulsive Drive's fuzzy fills in what this transparent tone doesn't make on its own
Amptweaker Tight Boost
Amptweaker
24% matchThe OCD's overtone-rich clipping stacks with Tight Boost's own articulate mid lift for a richer push.
Spaceman Aurora Analog Flanger Multi Mode Custom
Spaceman
24% matchInto a high headroom tone, Fulltone OCD Obsessive Compulsive Drive brings the fuzzy it's missing
Free The Tone Overdriveland ODL-1-CS
Free The Tone
24% matchInto a high headroom tone, Fulltone OCD Obsessive Compulsive Drive brings the fuzzy it's missing
Electronic Audio Experiments Halberd V2.5
Electronic Audio Experiments
24% matchInto a high headroom tone, Fulltone OCD Obsessive Compulsive Drive brings the fuzzy it's missing
Catalinbread Epoch Boost Mini
Catalinbread
24% matchInto a high headroom tone, Fulltone OCD Obsessive Compulsive Drive brings the fuzzy it's missing
Xotic AC Plus
Xotic
23% matchFulltone OCD Obsessive Compulsive Drive's fuzzy fills in what this high headroom tone doesn't make on its own
Catalinbread Pareidolia
Catalinbread
23% matchFulltone OCD Obsessive Compulsive Drive's fuzzy fills in what this high headroom tone doesn't make on its own
Electro-Harmonix Mainframe Bit Crusher
Electro-Harmonix
23% matchRun Fulltone OCD Obsessive Compulsive Drive into that low gain platform and it finally gets some fuzzy
Empress ParaEQ MkII
Empress
22% matchRun Fulltone OCD Obsessive Compulsive Drive into that high headroom platform and it finally gets some fuzzy
Empress Para EQ DLX
Empress
22% matchThe high headroom tone has headroom to spare — Fulltone OCD Obsessive Compulsive Drive gives it fuzzy to fill it with
Strymon OB.1 Bass
Strymon
22% matchRun the OB.1 Bass before the OCD to keep the low end controlled going into that overtone-rich clipping.
Carl Martin Headroom Mini
Carl Martin
22% matchInto a high headroom tone, Fulltone OCD Obsessive Compulsive Drive brings the fuzzy it's missing — goes in the amp's FX loop (or last, into a clean amp)
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