Pedals that stack with the Fulltone OCD Obsessive Compulsive Drive

gain stackingStacks two gain stages for more saturation than either produces alone. (fuzzy → clean boost)

Run fuzzy into Greer Southland for more clean boost on top

gain stackingStacks two gain stages for more saturation than either produces alone. (fuzzy → clean boost)

Walrus Ages' full, saturated overdrive stacks another gain stage on top of the OCD's own overtone-heavy crunch.

gain stackingStacks two gain stages for more saturation than either produces alone. (low gain → fuzzy)

Into a low gain tone, Fulltone OCD Obsessive Compulsive Drive brings a pull toward fuzzy that's missing

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The OCD's crunchy, overtone-rich clipping gives the Parabola's stage-ready tremolo pulse a driven signal to chop up.

Comes later in the signal chain

What Fulltone OCD Obsessive Compulsive Drive brings here leans toward op-amp — that's worth building a pairing around

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (low gain → fuzzy)

Fulltone OCD Obsessive Compulsive Drive leans this low gain tone toward fuzzy, which it doesn't make on its own

Comes later in the signal chain

Fulltone OCD Obsessive Compulsive Drive's own op-amp character is the real reason this is worth trying

Comes later in the signal chain

Into a transparent tone, Fulltone OCD Obsessive Compulsive Drive brings a pull toward fuzzy that's missing

Fulltone OCD Obsessive Compulsive Drive leans this transparent tone toward fuzzy, which it doesn't make on its own

Run Fulltone OCD Obsessive Compulsive Drive into that transparent platform and it finally leans toward fuzzy

Comes later in the signal chain

Fulltone OCD Obsessive Compulsive Drive leans toward op-amp, and that's a real, usable character to pair with

Comes earlier in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Fulltone OCD Obsessive Compulsive Drive's own op-amp character is the real reason this is worth trying

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

The OCD's crunchy, overtone-rich clipping feeds the Memory Boy's warm analog echo a driven signal instead of a clean one. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep the Mako D1 after the OCD — the overtone-rich clipping stays sharp and the delay's vintage-modulated repeats trail behind it. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain