Greer Amps Gorilla Warfare MkII

Magnatone 280

Push the Magnatone 280's stereo vibrato platform with Gorilla Warfare's doom-heavy distortion and the amp's own transformer sonics carry the low end.

Fender Vibrolux 6G11

Into the Vibrolux's sweet, classic Fender vibrato tone, the Gorilla Warfare's sludgy doom distortion gets a genuinely unexpected contrast to work with.

Gibson Les Paul LP-1 Preamp

Put Gibson Les Paul LP-1 Preamp in front and the fuzzy tone leans further toward modulated

Walrus Audio Julianna Deluxe Chorus/Vibrato

Layer the Julianna's stereo chorus and vibrato after the Gorilla Warfare's sludgy, doom-heavy fuzz for texture without losing its weight.

Aguilar Octamizer (Bass Octaver)

Track the Octamizer's sub-octave under the Gorilla Warfare's sludgy distortion for a doom low end that still holds pitch.

Walrus Audio Ages

Walrus Ages' full, saturated overdrive adds another gain layer onto Gorilla Warfare's already heavy, doom-leaning distortion.

Strymon OB.1 Bass

Run the OB.1 Bass before the Gorilla Warfare to keep the low end controlled going into that heavy sludge fuzz.

Walrus Audio Melee Wall of Noise Black

Keep the Melee after the Gorilla Warfare — the sludgy fuzz stays heavy and the Melee's own distorted reverb wall pushes it into pure noise behind it. — goes in the amp's FX loop (or last, into a clean amp)

Walrus Audio Mako D1 High-Fidelity Stereo Delay V1

Keep the Mako D1 after the Gorilla Warfare — the sludgy, doom-heavy fuzz stays thick and the delay's vintage-modulated repeats trail behind it. — goes in the amp's FX loop (or last, into a clean amp)

Friedman Buxom Boost

Into Greer Amps Gorilla Warfare MkII, Friedman Buxom Boost is right at home: it's built around a high-gain amp's front end

SolidGoldFX Oblivion

SolidGoldFX Oblivion stacks octave on top of the fuzzy already here