Greer Mizuki Blr

Peavey Invective 120 leans this transparent tone toward high gain, which it doesn't make on its own

Comes later in the signal chain

Into a transparent tone, Revv Generator 100P MkIII 3-Channel Head brings a pull toward high gain that's missing

Comes later in the signal chain

Comes later in the signal chain

Friedman Small Box 50W EL34 Amp Head leans this dynamic tone toward compressed, which it doesn't make on its own

Comes later in the signal chain

Mesa/Boogie Stiletto Deuce Stage II leans this dynamic tone toward compressed, which it doesn't make on its own

Comes later in the signal chain

ENGL Special Edition E670 leans this dynamic tone toward compressed, which it doesn't make on its own

Comes later in the signal chain

Into a transparent tone, Synergy SL2 Module brings a pull toward high gain that's missing

Comes later in the signal chain

Friedman PT-20 leans this dynamic tone toward compressed, which it doesn't make on its own

Comes later in the signal chain

Into a dynamic tone, Friedman Pink Taco V2 Combo brings a pull toward compressed that's missing

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Electro-Harmonix M76 Studio Compressor's own compressed character is the real reason this is worth trying

Comes earlier in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

EarthQuaker Devices '- Speaker Cranker leans this dynamic tone toward compressed, which it doesn't make on its own

Into a transparent tone, Soldano SLO brings a pull toward high gain that's missing

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep EarthQuaker Devices Grand Orbiter V3 after Greer Mizuki Blr in the signal chain, clear of Greer Mizuki Blr's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR M169 Carbon Copy Analog Delay after Greer Mizuki Blr in the signal chain, clear of Greer Mizuki Blr's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Electro-Harmonix Memory Boy Analog Delay after Greer Mizuki Blr in the signal chain, clear of Greer Mizuki Blr's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Into a dynamic tone, Dophix Dante brings a pull toward compressed that's missing

Comes later in the signal chain

Into a transparent tone, Donner Big Mouth Distortion brings a pull toward high gain that's missing