Pedals that stack with the Greer Mizuki blue
← everything about the Greer Mizuki blue
All 124 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Artec SE-Peq Parametric Equalizer
Artec
16% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Where this leans bright, Greer Mizuki blue answers back warm
Comes later in the signal chain
Friedman Gold-72 Wah
Friedman
16% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Run Greer Mizuki blue after it and the bright edge settles into something more warm
Comes earlier in the signal chain
Vintage VFX10
Vintage Sound
16% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Greer Mizuki blue's warm balances out the bright tone
Comes later in the signal chain
Catalinbread Silver Kiss Reissue
Catalinbread
16% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Greer Mizuki blue's warm balances out the bright tone
Comes earlier in the signal chain
Jackson Audio Bloom MIDI V2
Jackson Audio
16% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Greer Mizuki blue leans toward harmonically rich, and that's a real, usable character to pair with
Comes earlier in the signal chain
Fuzzrocious Baxtabber
Fuzzrocious
16% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Where this leans bright, Greer Mizuki blue answers back warm
Comes earlier in the signal chain
Morley 20/20 Lead Wah MTLW
Morley
16% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Where this leans bright, Greer Mizuki blue answers back warm
Comes earlier in the signal chain
Boss EQ 200 Graphic Equalizer
Boss
15% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Where this leans bright, Greer Mizuki blue answers back warm
Comes later in the signal chain
Friedman Sir-Compre
Friedman
15% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Run Greer Mizuki blue after it and the bright edge settles into something more warm
Comes earlier in the signal chain
Revv Tilt
Revv
15% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Greer Mizuki blue leans warm right where the bright tone needs it
Comes earlier in the signal chain
Free The Tone Cosmic Wave Multiple Filtering Delay
Free The Tone
15% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Greer Mizuki blue's warm balances out the bright tone — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
MXR 6-Band EQ
MXR
15% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Greer Mizuki blue leans warm right where the bright tone needs it
Comes later in the signal chain
Source Audio SA263 Collider
Source Audio
15% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Where this leans bright, Greer Mizuki blue answers back warm — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Keeley Realizer Reverberator Chromalux 2K24 Custom Shop
Keeley
15% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Greer Mizuki blue leans warm right where the bright tone needs it — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
CALIFORNIA WUB Continuum EQ Galaxy Man Edition
California Wub
15% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Run Greer Mizuki blue after it and the bright edge settles into something more warm
Comes later in the signal chain
Alchemy Audio HBE Detox EQ
Alchemy Audio
15% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Run Greer Mizuki blue after it and the bright edge settles into something more warm
Comes later in the signal chain
Carl Martin Tone Tweaker
Carl Martin
15% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Greer Mizuki blue leans warm right where the bright tone needs it
Comes later in the signal chain
Ibanez Pentatone Equalizer
Ibanez
15% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Greer Mizuki blue leans warm right where the bright tone needs it
Comes later in the signal chain
Free The Tone Tri Avatar
Free The Tone
15% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Where this leans bright, Greer Mizuki blue answers back warm
Comes later in the signal chain
Universal Audio Evermore Delay
Universal Audio
15% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Run Greer Mizuki blue after it and the bright edge settles into something more warm — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
ENO EQ7 7-band EQ
Eno
15% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Where this leans bright, Greer Mizuki blue answers back warm
Comes later in the signal chain
Free The Tone Flight Time FT-2Y Delay
Free The Tone
15% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Greer Mizuki blue leans warm right where the bright tone needs it — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
FTelettronica Six Band Equalizer
Ftelettronica
15% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Greer Mizuki blue's warm balances out the bright tone
Comes later in the signal chain
Fairfield Circuitry Long Life
Fairfield Circuitry
15% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Greer Mizuki blue's warm balances out the bright tone
Comes later in the signal chain