Pedals that stack with the Greer Tomahawk

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Phase 90's psychedelic swirl colors Tomahawk's cutting overdrive after the gain stage rather than adding to it.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)

A Tube Screamer's blues-forward boost ahead of Tomahawk firms up the pedal's own cutting, rock-voiced drive.

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Klon Centaur's midrange boost stacks cleanly into Tomahawk's cutting, boutique overdrive for extra classic-rock breakup.

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)

Ahead of the Tomahawk, the Velvet's smooth compression keeps a cutting, boutique overdrive from getting spiky under a hard attack.

Comes earlier in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Feed a high gain signal into Greer Tomahawk and it comes out closer to tight

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Greer Tomahawk pushes a high gain tone toward tight

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Greer Tomahawk takes that high gain character and pushes it toward tight

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Stack Greer Tomahawk on top and a high gain tone tightens toward tight

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Stack Greer Tomahawk on top and a high gain tone tightens toward tight

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Greer Tomahawk takes that high gain character and pushes it toward tight

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Feed a high gain signal into Greer Tomahawk and it comes out closer to tight

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Stack Greer Tomahawk on top and a high gain tone tightens toward tight

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Greer Tomahawk pushes a high gain tone toward tight

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Fable's glitchy, granular reverb closes out Tomahawk's cutting overdrive with texture and space at the end of the chain. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Tomahawk's cutting, boutique overdrive feeds the Kilobyte's digital-analog delay a driven signal to echo. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain