Pedals that stack with the Hiwatt Leeds 25 Combo

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → fuzzy)

Black Arts Toneworks LSTR Fuzz leans this high headroom tone toward fuzzy, which it doesn't make on its own

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)

Into a high headroom tone, Marshall Guv'nor brings a pull toward mid-forward that's missing

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → fuzzy)

Beetronics Swarm leans this high headroom tone toward fuzzy, which it doesn't make on its own

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Hiwatt Leeds 25 Combo's tight voice out front: Boss BF-2 Flanger goes after Hiwatt Leeds 25 Combo in the signal chain so its lush voice doesn't muddy it

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (high headroom → compressed)

What Universal Audio 1176 Compressor brings here leans toward compressed — that's worth building a pairing around

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Hiwatt Leeds 25 Combo leans into a clean amp's front end, precisely the platform Dunlop MXR M299 Carbon Copy Mini wants — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

Hiwatt Leeds 25 Combo leans into Marshall-style amps, precisely the platform Catalinbread Dirty Little Secret Deluxe wants — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop