Pedals that stack with the Ibanez FL-9 Flanger

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Dark Star V3's experimental, gritty reverb pairs with the FL-9's vintage analog flange for a shoegaze-leaning wash of modulation. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Wren and Cuff Box of War Small Foot Fuzz leans toward fuzzy, and that's a real, usable character to pair with

Comes earlier in the signal chain

JHS Smiley's own fuzzy character is the real reason this is worth trying

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Ibanez FL-9 Flanger after Red Panda Context 2 in the signal chain, where it won't crowd Red Panda Context 2 — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Ibanez FL-9 Flanger after Death By Audio Reverberation Machine in the signal chain, where it won't crowd Death By Audio Reverberation Machine — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Ibanez FL-9 Flanger after Walrus Audio Slö Multi-Texture Reverb in the signal chain, where it won't crowd Walrus Audio Slö Multi-Texture Reverb — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Ibanez FL-9 Flanger after Laney Secret Path in the signal chain, where it won't crowd Laney Secret Path — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Red Panda Raster 2's pristine voice out front: Ibanez FL-9 Flanger goes after Red Panda Raster 2 in the signal chain so its analog warmth voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Ibanez FL-9 Flanger after Dunlop Used MXR Sugar Drive in the signal chain, clear of Dunlop Used MXR Sugar Drive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Ibanez FL-9 Flanger's analog warmth voice out front: Dawner Prince Boonar goes after Ibanez FL-9 Flanger in the signal chain so its modulated voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Ibanez FL-9 Flanger's analog warmth voice out front: Neunaber Wet Mono Reverb Pedal goes after Ibanez FL-9 Flanger in the signal chain so its pristine voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain