Amps that pair well with the Ibanez Tube Screamer

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

The Tone Block's valve-voiced, responsive gain gives the Screamer's mid-forward boost a reliable, gigging-ready amp platform.

Comes later in the signal chain

Feed a edge of breakup signal into Ibanez Tube Screamer and it comes out closer to mid-forward

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Stack Ibanez Tube Screamer on top and a high gain tone tightens toward mid-forward

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

The Screamer's mid-forward boost pushes the JRT's boutique, tremolo-equipped breakup further.

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Ibanez Tube Screamer's smooth voice suits Fender Hot Rod Deluxe's own smooth character

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Ibanez Tube Screamer takes that high gain character and pushes it toward mid-forward

Comes later in the signal chain

Into the Origin 50's driven, midrange-forward headroom, the Screamer's mid-forward boost fits right in.

Comes later in the signal chain

Run Ibanez Tube Screamer into that high headroom platform and it finally leans toward mid-forward

Comes later in the signal chain

Ibanez Tube Screamer takes that edge of breakup character and pushes it toward mid-forward

Comes later in the signal chain

Stack Ibanez Tube Screamer on top and a edge of breakup tone tightens toward mid-forward

Comes later in the signal chain

Push the BG-450's clear, articulate headroom with the Screamer's mid-forward boost and the definition holds up.

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Stack Ibanez Tube Screamer on top and a high gain tone tightens toward mid-forward

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

The transparent tone has headroom to spare — Ibanez Tube Screamer leans it toward mid-forward to fill it in

Comes later in the signal chain

The LX65R's gigging-ready headroom and drive give the Screamer's mid-forward boost a versatile amp platform.

Comes later in the signal chain

Ibanez Tube Screamer leans this high headroom tone toward mid-forward, which it doesn't make on its own

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Ibanez Tube Screamer takes that high gain character and pushes it toward mid-forward

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

The Screamer's mid-forward boost tightens the 5150's crunch and liquid saturation ahead of it.

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Ibanez Tube Screamer pushes a high gain tone toward mid-forward

Comes later in the signal chain

Push the DBC410's tight, punchy cabinet with the Screamer's mid-forward boost and it stays solid instead of getting flabby.

Comes later in the signal chain

Ibanez Tube Screamer's own smooth character is the real reason this is worth trying

Comes later in the signal chain

Even a simple, bedroom-friendly amp like the Decade Too gives the Screamer's mid-forward boost a genuine practice platform.

Comes later in the signal chain