Pedals that stack with the J. Rockett Archer Ikon

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, J. Rockett Archer Ikon brings a pull toward compressed that's missing

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, J. Rockett Archer Ikon brings a pull toward compressed that's missing

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

What J. Rockett Archer Ikon brings here leans toward compressed — that's worth building a pairing around

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

J. Rockett Archer Ikon leans this dynamic tone toward compressed, which it doesn't make on its own

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (low gain → fuzzy)

JHS Smiley leans this low gain tone toward fuzzy, which it doesn't make on its own

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (low gain → fuzzy)

The Archer Ikon's compressed, diode-driven saturation gives the Odin's doom-heavy stoner fuzz a more focused front end to push into.

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, J. Rockett Archer Ikon brings a pull toward compressed that's missing

Comes earlier in the signal chain

J. Rockett Archer Ikon leans toward compressed, and that's a real, usable character to pair with

Comes earlier in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

J. Rockett Archer Ikon leans this dynamic tone toward compressed, which it doesn't make on its own

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, J. Rockett Archer Ikon brings a pull toward compressed that's missing — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, J. Rockett Archer Ikon brings a pull toward compressed that's missing

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

The dynamic tone has headroom to spare — J. Rockett Archer Ikon leans it toward compressed to fill it in

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

J. Rockett Archer Ikon leans this dynamic tone toward compressed, which it doesn't make on its own

Comes earlier in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, J. Rockett Archer Ikon brings a pull toward compressed that's missing

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, J. Rockett Archer Ikon brings a pull toward compressed that's missing

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

J. Rockett Archer Ikon leans this dynamic tone toward compressed, which it doesn't make on its own

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Run J. Rockett Archer Ikon into that dynamic platform and it finally leans toward compressed

Comes later in the signal chain

J. Rockett Archer Ikon leans toward compressed, and that's a real, usable character to pair with

Comes earlier in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, J. Rockett Archer Ikon brings a pull toward compressed that's missing

Comes earlier in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

J. Rockett Archer Ikon leans this dynamic tone toward compressed, which it doesn't make on its own

Into a transparent tone, J. Rockett Archer Ikon brings a pull toward low gain that's missing

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, J. Rockett Archer Ikon brings a pull toward compressed that's missing — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

J. Rockett Archer Ikon leans this dynamic tone toward compressed, which it doesn't make on its own — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, J. Rockett Archer Ikon brings a pull toward compressed that's missing