Jackson Audio Amp Mode

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Mesa Boogie Mark I leans this transparent tone toward mid-forward, which it doesn't make on its own

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Ampeg SVT-CL leans this transparent tone toward mid-forward, which it doesn't make on its own

Comes later in the signal chain

Comes later in the signal chain

ENGL Special Edition E670 leans this dynamic tone toward compressed, which it doesn't make on its own

Comes later in the signal chain

Friedman Small Box 50W EL34 Amp Head leans this transparent tone toward high gain, which it doesn't make on its own

Comes later in the signal chain

Ceriatone JTM45 MkII leans this transparent tone toward low gain, which it doesn't make on its own

Comes later in the signal chain

Mesa/Boogie Stiletto Deuce Stage II leans this transparent tone toward high gain, which it doesn't make on its own

Comes later in the signal chain

Egnater Tweaker 88 Head leans this transparent tone toward low gain, which it doesn't make on its own

Comes later in the signal chain

Vox Mini SuperBeetle Bass leans this transparent tone toward fuzzy, which it doesn't make on its own

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, J. Rockett Archer Ikon brings a pull toward compressed that's missing

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Into a transparent tone, JAM Pedals Tubedreamer brings a pull toward mid-forward that's missing

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

NuX MNU Sculpture-Comp's compressed voice suits Jackson Audio Amp Mode's own dynamic character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Earthquaker Devices Pyramids Stereo Flanging Device after Jackson Audio Amp Mode in the signal chain, clear of Jackson Audio Amp Mode's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Jackson Audio Amp Mode's dynamic voice out front: Fender Hammertone Reverb goes after Jackson Audio Amp Mode in the signal chain so its lush voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Jackson Audio Amp Mode's dynamic voice out front: JHS 3 Series Oil Can Delay goes after Jackson Audio Amp Mode in the signal chain so its modulated voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Into a dynamic tone, Dophix Dante brings a pull toward compressed that's missing

Comes later in the signal chain

Into a transparent tone, Ampeg F17-1 brings a pull toward mid-forward that's missing