Amps that pair well with the JAM Pedals Delay-Llama

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Run PRS HX 50 Head after it and the warm edge settles into something more bright

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Traynor SB110's boxy, midrange-forward voicing gives Delay-Llama's warm, organic analog repeats a punchy little stage.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Peavey TKO 115's full voice out front: JAM Pedals Delay-Llama goes in Peavey TKO 115's effects loop so its analog warmth voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

JAM Pedals Delay-Llama's analog warmth voice goes in Morgan MVP66's effects loop — it's not there to compete with Morgan MVP66's own mid-forward character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep JAM Pedals Delay-Llama in Vox AC30HWRH Hand-Wired 2-Channel 30W Head's effects loop, clear of Vox AC30HWRH Hand-Wired 2-Channel 30W Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Ceriatone TW Expression Head's harmonically rich voice out front: JAM Pedals Delay-Llama goes in Ceriatone TW Expression Head's effects loop so its analog warmth voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep JAM Pedals Delay-Llama in Blackstar Series One 200 Top MkI Head 200Watt's effects loop, clear of Blackstar Series One 200 Top MkI Head 200Watt's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Ceriatone C-Wreck's dynamic voice out front: JAM Pedals Delay-Llama goes in Ceriatone C-Wreck's effects loop so its analog warmth voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep JAM Pedals Delay-Llama in Sound City One Hundred (L100)'s effects loop, clear of Sound City One Hundred (L100)'s own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run JAM Pedals Delay-Llama in Ceriatone British Style Plexi50 Lead's effects loop, clear of Ceriatone British Style Plexi50 Lead's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep JAM Pedals Delay-Llama in Ampeg RB-112 Rocket Bass 100-Watt Combo Bass's effects loop, clear of Ampeg RB-112 Rocket Bass 100-Watt Combo Bass's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put JAM Pedals Delay-Llama in Brunetti Metropolitan Combo's effects loop, clear of Brunetti Metropolitan Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

JAM Pedals Delay-Llama's analog warmth voice goes in Boss Katana Bass KTN-210B's effects loop — it's not there to compete with Boss Katana Bass KTN-210B's own full character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put JAM Pedals Delay-Llama in Orange Micro Terror's effects loop, clear of Orange Micro Terror's own gain stage

Comes earlier in the signal chain