Amps that pair well with the Maestro PS-1A Phase Shifter

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Fender Prosonic's warm balances out the bright tone

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)

Run Dumble Steel String Singer after it and the bright edge settles into something more smooth

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Maestro PS-1A Phase Shifter after EBS Magni 502 115 in the signal chain, clear of EBS Magni 502 115's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Orange Amplifiers AD30HTC 30W Tube Guitar Amp Head's high headroom voice out front: Maestro PS-1A Phase Shifter goes after Orange Amplifiers AD30HTC 30W Tube Guitar Amp Head in the signal chain so its lush voice doesn't muddy it

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Maestro PS-1A Phase Shifter after Plush P1000 70's USA All-Tube Amp Head in the signal chain, clear of Plush P1000 70's USA All-Tube Amp Head's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Maestro PS-1A Phase Shifter's lush voice goes after Laney Digbeth 30W 1x10 Bass Combo in the signal chain — it's not there to compete with Laney Digbeth 30W 1x10 Bass Combo's own gritty character

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Maestro PS-1A Phase Shifter after Gallien-Krueger GK Fusion 112 Bass Combo in the signal chain, clear of Gallien-Krueger GK Fusion 112 Bass Combo's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Maestro PS-1A Phase Shifter after Fuchs ODS II Custom 25/50 Combo in the signal chain, clear of Fuchs ODS II Custom 25/50 Combo's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Maestro PS-1A Phase Shifter after Gallien-Krueger GK Fusion 2x12 Bass Combo Amp in the signal chain, clear of Gallien-Krueger GK Fusion 2x12 Bass Combo Amp's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Maestro PS-1A Phase Shifter after Gallien-Krueger Fusion 800s in the signal chain, clear of Gallien-Krueger Fusion 800s's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Maestro PS-1A Phase Shifter's lush voice goes after Laney Nathan East Signature 1000-Watt Bass Head in the signal chain — it's not there to compete with Laney Nathan East Signature 1000-Watt Bass Head's own tight character

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Maestro PS-1A Phase Shifter's lush voice goes after Gallien-Krueger Fusion 210 in the signal chain — it's not there to compete with Gallien-Krueger Fusion 210's own mid-forward character

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Maestro PS-1A Phase Shifter after Laney Digbeth Foundry DBF50 Bass Combo in the signal chain, clear of Laney Digbeth Foundry DBF50 Bass Combo's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fuchs Full House 50 Head's full voice out front: Maestro PS-1A Phase Shifter goes after Fuchs Full House 50 Head in the signal chain so its lush voice doesn't muddy it

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Maestro PS-1A Phase Shifter after Laney Digbeth Foundry DBF200H 2-Channel 200W Bass Head in the signal chain, clear of Laney Digbeth Foundry DBF200H 2-Channel 200W Bass Head's own gain stage

Comes later in the signal chain