The JHS Fuzz Mary-K is a JHS Pedals fuzz pedal. Close alternatives include the Dunlop Screamadelica Fuzz Face Distortion and the Dallas Rangemaster Treble Booster. It pairs well with the Traynor SB110 and the Peavey MAX 100.
JHS Fuzz Mary-K
JHS Pedals · pedal
The JHS Fuzz Mary-K is a boutique germanium fuzz pedal from JHS Pedals, inspired by the vintage germanium fuzz circuits of the late 1960s. Using carefully selected germanium transistors, the Fuzz Mary-K delivers the warm, compressed, and harmonically musical germanium fuzz character associated with classic British and American fuzz sounds of the era. The germanium transistors provide the characteristic bloom and sag of vintage fuzz, with a smooth decay and a sensitivity to guitar volume that cleans up well as the pickup output drops. JHS matched germanium transistors ensure consistent character across units, which is a challenge with vintage component fuzz designs. The Fuzz Mary-K suits blues, classic rock, and psychedelic styles where the warmth and organic character of germanium fuzz is central to the sound.
- germanium
- transistor
- warm
- smooth
- blues
- consistent
- bloom
- organic
Genres the JHS Fuzz Mary-K is commonly used in
- Classic Rock
- Alternative Rock
- Blues
- Blues Rock
cited
Inferred from shared tonal signals, not a stated genre tag. - Rock
cited
Inferred from shared tonal signals, not a stated genre tag. - Americana
cited
Inferred from shared tonal signals, not a stated genre tag.
Amps that pair well with the JHS Fuzz Mary-K
Traynor SB110
Traynor
29% matchRun Traynor SB110 after it and the warm edge settles into something more bright
Peavey MAX 100
Peavey
28% matchRun Peavey MAX 100 after it and the warm edge settles into something more bright
Peavey MAX 150 150W 1x12 Bass Combo
Peavey
tonal matchWhere this leans warm, Peavey MAX 150 150W 1x12 Bass Combo answers back bright
Peavey MAX 208
Peavey
tonal matchPeavey MAX 208 leans bright right where the warm tone needs it
Marshall 1987X MK II Reissue 2-Channel 50-Watt
Marshall
tonal matchMarshall 1987X MK II Reissue 2-Channel 50-Watt's bright balances out the warm tone
Morgan MVP66
Morgan
tonal matchRun Morgan MVP66 after it and the warm edge settles into something more bright
Gallien-Krueger MB115MK2
Gallien Krueger
tonal matchGallien-Krueger MB115MK2 tightens a saturated tone's low end
Soldano SLO-30 2-Channel 30W 1x12 Combo
Soldano
tonal matchWhere this leans warm, Soldano SLO-30 2-Channel 30W 1x12 Combo answers back bright
Pedals that stack with the JHS Fuzz Mary-K
Paul Cochrane Timmy
Paul Cochrane
24% matchRun Paul Cochrane Timmy after it and the warm edge settles into something more bright
Browne Amplification Carbon
Browne Amplification
24% matchWhere this leans warm, Browne Amplification Carbon answers back bright
TC Electronic SCF Gold SE Stereo
TC Electronic
22% matchKeep JHS Fuzz Mary-K's germanium voice out front: TC Electronic SCF Gold SE Stereo goes after JHS Fuzz Mary-K in the signal chain so its transparent voice doesn't muddy it
Roland Corp US LMB-3
Roland
18% matchRoland Corp US LMB-3 leans toward bright, and that's a real, usable character to pair with
Way Huge Electronics Aqua-Puss MkII Analog Delay
pedal
17% matchPut Way Huge Electronics Aqua-Puss MkII Analog Delay after JHS Fuzz Mary-K in the signal chain, clear of JHS Fuzz Mary-K's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
TC Electronic Hall of Fame 2
TC Electronic
16% matchKeep JHS Fuzz Mary-K's germanium voice out front: TC Electronic Hall of Fame 2 goes after JHS Fuzz Mary-K in the signal chain so its spring voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)
Friedman Buxom Boost
Friedman
tonal matchJHS Fuzz Mary-K leans into a high-gain amp's front end, precisely the platform Friedman Buxom Boost wants
Fortin Amplification Tempest Overdrive Signature Architects
Fortin Amplification
tonal matchFortin Amplification Tempest Overdrive Signature Architects is voiced for a high-gain amp's front end — JHS Fuzz Mary-K gives it exactly that
Alternativessee all similar tone character →
Dunlop Screamadelica Fuzz Face Distortion
Dunlop
72% similarityShared character: sensitivity, smooth, response
Dallas Rangemaster Treble Booster
Dallas
72% similarityShared character: 1960s, sensitivity, pick_attack
Dunlop Joe Bonamassa Fuzz Face JB-F3 Copper Top
Dunlop
72% similarityShared character: smooth, warm, alternative
Sola Sound Tone Bender MkII
Sola Sound
71% similarityShared character: units, sensitivity, classic_rock
EarthQuaker Devices Hoof Hybrid Fuzz
EarthQuaker Devices
70% similarityShared character: smooth, classic_rock, warm
Caroline Guitar Company Icarus
Caroline Guitar Company
70% similarityShared character: sensitivity, pick_attack, smooth
Benson Amps Germanium Fuzz
Benson Amps
69% similarityShared character: sag, sensitivity, pick_attack
Klon Centaur
Klon
69% similarityShared character: guitar, response, classic_rock
Sola Sound Tone Bender MK1
pedal
68% similarityShared character: response, sustain, vintage_charm
JAM Pedals Eureka
Jam Pedals
67% similarityShared character: sensitivity, warm, alternative
Benson Amps Stonk BOX
Benson Amps
65% similarityShared character: sag, classic_rock, sustain
JHS Pollinator
JHS Pedals
97% similaritysimilar tone character
See all alternatives to the JHS Fuzz Mary-K (cheaper + boutique) →
Questions people ask
What are good alternatives to the JHS Fuzz Mary-K?+
The closest matches in character are the Dunlop Screamadelica Fuzz Face Distortion, the Dallas Rangemaster Treble Booster, the Dunlop Joe Bonamassa Fuzz Face JB-F3 Copper Top.
What pairs well with the JHS Fuzz Mary-K?+
Strong matches from rig and tone-complementarity evidence: Traynor SB110, Peavey MAX 100, Peavey MAX 150 150W 1x12 Bass Combo — Run Traynor SB110 after it and the warm edge settles into something more bright.
Compare
- vs JHS Pollinator
- vs Crazy Tube Circuits Constellation Germanium Fuzz/Booster
- vs Dunlop JIM Dunlop JH-M8 Jimi Hendrix Gypsy