The JHS Legends Series Smiley 1969 London Fuzz is a JHS Pedals fuzz pedal. Close alternatives include the MXR 108 Fuzz and the Lovepedal Super Sic Tone. It pairs well with the Dumble Steel String Singer and the Fender Prosonic.
JHS Legends Series Smiley 1969 London Fuzz
JHS Pedals · pedal
The JHS Legends Series Smiley 1969 London Fuzz is a historically accurate recreation of a specific vintage silicon fuzz circuit from 1969 London's active effects pedal scene, capturing the bright, cutting, and harmonically edgy character of late-1960s British silicon fuzz designs. JHS researched original 1969 circuit examples to produce a faithful recreation with modern component consistency and reliability. Suited to psychedelic rock, blues, and vintage British guitar styles of the period.
What stands out
“The Smiley 1969 London Fuzz captures the bright, harmonically edgy character of late-1960s British silicon fuzz with modern build reliability”
— from the reviews
“The bright, cutting silicon character produces the aggressive edge of vintage late-1960s British fuzz”
— from the community notes
“The JHS Legends Series Smiley 1969 London Fuzz is a historically accurate recreation of a specific vintage silicon fuzz circuit from 1969 London's active effects pedal scene, capturing the bright, cutting, and harmonically edgy character of…”
— from the listing
“Suited to psychedelic rock, blues, and vintage British guitar styles of the period”
— from the listing
“The silicon transistor character is more cutting and aggressive than the germanium Bender, providing the bright edge associated with psychedelic 1969 British guitar recordings”
— from the reviews
- silicon fuzz
- british
- bright
- cutting
- silicon
- edgy
- psychedelic
- aggressive
Genres the JHS Legends Series Smiley 1969 London Fuzz is commonly used in
- Rock
- Blues
- Psychedelic Rock
cited
Inferred from shared tonal signals, not a stated genre tag. - Blues Rock
cited
Inferred from shared tonal signals, not a stated genre tag.
Amps that pair well with the JHS Legends Series Smiley 1969 London Fuzz
Dumble Steel String Singer
Dumble
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Dumble Steel String Singer leans smooth right where the bright tone needs it
Comes later in the signal chain
Fender Prosonic
amplifier
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Where this leans bright, Fender Prosonic answers back warm
Comes later in the signal chain
Orange Little Bass Thing
Orange
tonal matchComes later in the signal chain
Where this leans bright, Orange Little Bass Thing answers back warm
Hiwatt Park P18LH 'Little 45' Handwired18W
Hiwatt
tonal matchComes later in the signal chain
Hiwatt Park P18LH 'Little 45' Handwired18W leans warm right where the bright tone needs it
Orange BT1000H Terror Bass 1000-Watt Bass Amp
Orange
tonal matchComes later in the signal chain
Orange BT1000H Terror Bass 1000-Watt Bass Amp's warm balances out the bright tone
Orange Terror Bass
Orange
tonal matchComes later in the signal chain
Run Orange Terror Bass after it and the bright edge settles into something more warm
Gibson GA-50
Gibson
tonal matchComes later in the signal chain
Gibson GA-50's warm balances out the bright tone
Victory Amplifiers V50 The Earl
amplifier
tonal matchComes later in the signal chain
Where this leans bright, Victory Amplifiers V50 The Earl answers back warm
Pedals that stack with the JHS Legends Series Smiley 1969 London Fuzz
Ashdown Velvet Compressor
Ashdown
19% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Ashdown Velvet Compressor's own compressed character is the real reason this is worth trying
Comes earlier in the signal chain
Boss CE-2 Chorus
Boss
18% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep JHS Legends Series Smiley 1969 London Fuzz's silicon voice out front: Boss CE-2 Chorus goes after JHS Legends Series Smiley 1969 London Fuzz in the signal chain so its modulated voice doesn't muddy it
Comes later in the signal chain
Catalinbread SFT
Catalinbread
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Where this leans bright, Catalinbread SFT answers back warm
Comes earlier in the signal chain
Greer Mizuki blue
Greer
16% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Greer Mizuki blue leans warm right where the bright tone needs it
Comes earlier in the signal chain
Line 6 DL4 Delay Modeler
pedal
13% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Line 6 DL4 Delay Modeler after JHS Legends Series Smiley 1969 London Fuzz in the signal chain, clear of JHS Legends Series Smiley 1969 London Fuzz's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Suhr Discovery
Suhr
13% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep JHS Legends Series Smiley 1969 London Fuzz's silicon voice out front: Suhr Discovery goes after JHS Legends Series Smiley 1969 London Fuzz in the signal chain so its warm voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
SolidGoldFX Commodore Breaker Overdrive
Solidgoldfx
tonal matchComes earlier in the signal chain
SolidGoldFX Commodore Breaker Overdrive's smooth balances out the bright tone
Dunlop Blue Hippo Optical Tremolo
Dunlop
tonal matchComes later in the signal chain
Dunlop Blue Hippo Optical Tremolo leans warm right where the bright tone needs it
Alternativessee all similar tone character →
MXR 108 Fuzz
MXR
64% similarityShared character: bright, aggressive playing
Lovepedal Super Sic Tone
Lovepedal
64% similarityShared character: bright, aggressive playing
SolidGoldFX Imperial BC183
Solidgoldfx
63% similarityShared character: bright, aggressive playing
MXR Dunlop Silicon Fuzz
MXR
61% similarityShared character: bright, aggressive playing
Mission Engineering Delta III SI Silicon Fuzz
Mission Engineering
60% similarityShared character: bright, aggressive playing
Catalinbread Elements Fuzz
Catalinbread
59% similarityShared character: bright, aggressive playing
Dunlop Fuzz Face Mini Germanium
Dunlop
58% similaritySimilar voicing: silicon, bright
Fender Angry Fuzz
Fender
57% similarityShared character: bright, aggressive playing
Fuzz Face Dunlop Fuzz Face Distortion
Fuzz Face
57% similarityShared character: aggressive playing
MXR M296 Classic 108 Fuzz Mini
Dunlop
57% similarityShared character: bright, aggressive playing
JAM Pedals Fuzz Phrase Si Silicon Fuzz
Jam Pedals
56% similarityShared character: bright, aggressive playing
Tru-Fi Tru-Fi Sammy Fuzz
Tru Fi
56% similarityShared character: aggressive playing
See all alternatives to the JHS Legends Series Smiley 1969 London Fuzz (cheaper + boutique) →
Questions people ask
What are good alternatives to the JHS Legends Series Smiley 1969 London Fuzz?+
The closest matches in character are the MXR 108 Fuzz, the Lovepedal Super Sic Tone, the SolidGoldFX Imperial BC183.
What pairs well with the JHS Legends Series Smiley 1969 London Fuzz?+
Strong matches from rig and tone-complementarity evidence: Dumble Steel String Singer, Fender Prosonic, Orange Little Bass Thing — Dumble Steel String Singer leans smooth right where the bright tone needs it.
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