Pedals that stack with the JHS MoonShine Overdrive

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Run mid-forward into Fjord Fuzz Odin for more fuzzy on top

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Wren and Cuff Box of War Small Foot Fuzz layers high gain onto an already mid-forward signal

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

JHS MoonShine Overdrive takes that scooped character and pushes it toward mid-forward

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

JHS MoonShine Overdrive pushes a scooped tone toward mid-forward

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Feed a scooped signal into JHS MoonShine Overdrive and it comes out closer to mid-forward

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

JHS MoonShine Overdrive pushes a scooped tone toward mid-forward

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Stack JHS MoonShine Overdrive on top and a scooped tone tightens toward mid-forward

What JHS MoonShine Overdrive brings here leans toward saturated — that's worth building a pairing around

Stack JHS MoonShine Overdrive on top and a edge of breakup tone tightens toward mid-forward

Comes later in the signal chain

JHS MoonShine Overdrive leans toward saturated, and that's a real, usable character to pair with

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Phase 90's classic swirl colors MoonShine's saturated overdrive after the gain stage rather than adding to it.

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Feed a crunchy signal into JHS MoonShine Overdrive and it comes out closer to mid-forward

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Stack JHS MoonShine Overdrive on top and a crunchy tone tightens toward mid-forward

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

JHS MoonShine Overdrive pushes a crunchy tone toward mid-forward

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

JHS MoonShine Overdrive's own saturated character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Run the Golden Ratio ahead of the MoonShine so its TS808-based gain stage starts from a punchier, more consistent signal.

Comes earlier in the signal chain

Run the Memory Man's warm analog echoes after the MoonShine's TS808-based gain so the repeats trail a saturated, blues-ready tone. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Feed the DD-3's clear, shimmery repeats with the MoonShine's boost-stage saturation and the echoes carry real sustain forward. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain