The JHS Ross Distortion is a JHS Pedals distortion pedal. Close alternatives include the MXR Prime Distortion and the MXR M69P Prime Distortion. It pairs well with the Dumble Steel String Singer and the Fender Prosonic.
JHS Ross Distortion
JHS Pedals · pedal
The JHS Ross Distortion is a faithful recreation of the vintage Ross Distortion, a 1970s distortion pedal that used a circuit topology closely related to the ProCo RAT and the MXR Distortion+ family. The Ross Distortion was known for its aggressive, cutting distortion character with a specific op-amp voicing that produced a bright, punchy saturation suited to hard rock and early metal of the period. JHS recreates the Ross circuit with modern components while preserving the original circuit topology and tonal character.
What stands out
“The JHS Ross Distortion is a faithful recreation of the vintage Ross Distortion, a 1970s distortion pedal that used a circuit topology closely related to the ProCo RAT and the MXR Distortion+ family”
— from the listing
“cutting distortion character with a specific op-amp voicing that produced a bright”
— from the listing
“The Ross Distortion character is bright and cutting with a specific punch that differs from both the RAT and the Distortion+ in subtle but audible ways”
— from the community notes
“JHS recreates the Ross circuit with modern components while preserving the original circuit topology and tonal character”
— from the listing
“The JHS Ross Distortion faithfully recreates the vintage Ross circuit with modern component reliability”
— from the reviews
Trade-offs
“jhs build quality provides modern reliability over fragile and inconsistent original vintage units”
— from the community notes
- distortion
- cutting
- bright
- punch
- op amp
- vintage
- hard rock
- metal
Genres the JHS Ross Distortion is commonly used in
- Metal
- Alternative Rock
- Hard Rock
- Heavy Metal
cited
Inferred from shared tonal signals, not a stated genre tag. - Punk
cited
Inferred from shared tonal signals, not a stated genre tag. - Rock
cited
Inferred from shared tonal signals, not a stated genre tag.
Amps that pair well with the JHS Ross Distortion
Dumble Steel String Singer
Dumble
26% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Where this leans bright, Dumble Steel String Singer answers back smooth
Comes later in the signal chain
Fender Prosonic
amplifier
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Fender Prosonic leans warm right where the bright tone needs it
Comes later in the signal chain
Hiwatt Park P18LH 'Little 45' Handwired18W
Hiwatt
tonal matchComes later in the signal chain
Where this leans bright, Hiwatt Park P18LH 'Little 45' Handwired18W answers back warm
Orange BT1000H Terror Bass 1000-Watt Bass Amp
Orange
tonal matchComes later in the signal chain
Run Orange BT1000H Terror Bass 1000-Watt Bass Amp after it and the bright edge settles into something more warm
Orange Terror Bass
Orange
tonal matchComes later in the signal chain
Orange Terror Bass's warm balances out the bright tone
Orange Little Bass Thing
Orange
tonal matchComes later in the signal chain
Orange Little Bass Thing leans warm right where the bright tone needs it
Gibson GA-50
Gibson
tonal matchComes later in the signal chain
Gibson GA-50's warm balances out the bright tone
Victory Amplifiers V50 The Earl
amplifier
tonal matchComes later in the signal chain
Victory Amplifiers V50 The Earl leans warm right where the bright tone needs it
Pedals that stack with the JHS Ross Distortion
Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator
pedal
22% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after JHS Ross Distortion in the signal chain, clear of JHS Ross Distortion's own gain stage
Comes later in the signal chain
BBE OptiComp
Bbe
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
BBE OptiComp's own dynamic character is the real reason this is worth trying
Comes earlier in the signal chain
Electro-Harmonix Green Russian Big Muff
Electro-Harmonix
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Electro-Harmonix Green Russian Big Muff's smooth balances out the bright tone
Comes later in the signal chain
Greer Mizuki blue
Greer
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Where this leans bright, Greer Mizuki blue answers back warm
Suhr Discovery
Suhr
15% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep JHS Ross Distortion's bright voice out front: Suhr Discovery goes after JHS Ross Distortion in the signal chain so its warm voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
T-Rex Junior Roomate
T Rex
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put T-Rex Junior Roomate after JHS Ross Distortion in the signal chain, clear of JHS Ross Distortion's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
SolidGoldFX Commodore Breaker Overdrive
Solidgoldfx
tonal matchComes earlier in the signal chain
Run SolidGoldFX Commodore Breaker Overdrive after it and the bright edge settles into something more smooth
Dunlop Blue Hippo Optical Tremolo
Dunlop
tonal matchComes later in the signal chain
Where this leans bright, Dunlop Blue Hippo Optical Tremolo answers back warm
Alternativessee all similar tone character →
MXR Prime Distortion
MXR
67% similarityShared character: bright, distortion, aggressive playing
MXR M69P Prime Distortion
MXR
64% similarityShared character: bright, distortion, aggressive playing
ProCo RAT 2
Proco
61% similarity“that used a circuit topology closely related to the ProCo RAT and the MXR Distortion+ family.”
RHC Rat Turbo Rat Distortion
Rhc Audio
61% similarityShared character: metal, hard rock, distortion
Donner Dark Mouse
Donner
60% similarityShared character: bright, distortion, aggressive playing
Wampler Phenom Distortion
Wampler
57% similarityShared character: high gain settings, hard rock, bright
JAM Pedals Rattler mk.2 Distortion
Jam Pedals
57% similarityShared character: high gain settings, alternative, distortion
Catalinbread CB-Distortion
Catalinbread
57% similarityShared character: high gain settings, punch, metal
NuX Lacerate
Nux
56% similarityShared character: metal, hard rock, distortion
Suhr Riot
Suhr
56% similarityShared character: high gain settings, metal, hard rock
T-Rex Totenschlager
T Rex
54% similarityShared character: metal, distortion, aggressive playing
Fulltone OCD Obsessive Compulsive Drive
Fulltone
54% similarityShared character: distortion
See all alternatives to the JHS Ross Distortion (cheaper + boutique) →
Questions people ask
What are good alternatives to the JHS Ross Distortion?+
The closest matches in character are the MXR Prime Distortion, the MXR M69P Prime Distortion, the ProCo RAT 2.
What pairs well with the JHS Ross Distortion?+
Strong matches from rig and tone-complementarity evidence: Dumble Steel String Singer, Fender Prosonic, Hiwatt Park P18LH 'Little 45' Handwired18W — Where this leans bright, Dumble Steel String Singer answers back smooth.
Compare
- vs JHS 3 Series Distortion
- vs Boss SD-1 Super OverDrive
- vs Tone City TC-T38 Metal Storm classic British-style high