Pedals that stack with the Keeley Super Phat Mod

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Phase 90's classic swirl colors Super Phat Mod's asymmetrical drive after the gain stage rather than adding to it.

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, Keeley Super Phat Mod brings a pull toward compressed that's missing

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, Keeley Super Phat Mod brings a pull toward compressed that's missing

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (thin → full)

Keeley Super Phat Mod leans toward full, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, Keeley Super Phat Mod brings a pull toward compressed that's missing

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Keeley Super Phat Mod leans this dynamic tone toward compressed, which it doesn't make on its own

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

What Keeley Super Phat Mod brings here leans toward full — that's worth building a pairing around — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (thin → full)

What Keeley Super Phat Mod brings here leans toward full — that's worth building a pairing around

Comes earlier in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Greer Black Mountain layers fuzzy onto an already mid-forward signal

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)

Electro-Harmonix Big Muff Pi's smooth balances out the bright tone

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, Keeley Super Phat Mod brings a pull toward compressed that's missing

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Keeley Super Phat Mod leans this dynamic tone toward compressed, which it doesn't make on its own

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, Keeley Super Phat Mod brings a pull toward compressed that's missing

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Keeley Super Phat Mod leans toward full, and that's a real, usable character to pair with

Comes earlier in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Keeley Super Phat Mod leans this dynamic tone toward compressed, which it doesn't make on its own

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, Keeley Super Phat Mod brings a pull toward compressed that's missing

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, Keeley Super Phat Mod brings a pull toward compressed that's missing

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, Keeley Super Phat Mod brings a pull toward compressed that's missing

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, Keeley Super Phat Mod brings a pull toward compressed that's missing

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, Keeley Super Phat Mod brings a pull toward compressed that's missing

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Keeley Super Phat Mod leans this dynamic tone toward compressed, which it doesn't make on its own

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Keeley Super Phat Mod leans this dynamic tone toward compressed, which it doesn't make on its own

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, Keeley Super Phat Mod brings a pull toward compressed that's missing

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, Keeley Super Phat Mod brings a pull toward compressed that's missing

Comes later in the signal chain