Amps that pair well with the Keeley Eccos Tape Flanged Delay

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)

Vox AC30 Guitar Combo Amp's bright balances out the dark tone

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)

Run Matchless DC-30 after it and the dark edge settles into something more glassy

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

Put Keeley Eccos Tape Flanged Delay in Blackstar Id:core Stereo 150 2x10'''s effects loop, clear of Blackstar Id:core Stereo 150 2x10'''s own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

Keeley Eccos Tape Flanged Delay's dark voice goes in Mesa/Boogie Badlander's effects loop — it's not there to compete with Mesa/Boogie Badlander's own tight character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

Put Keeley Eccos Tape Flanged Delay in Friedman Pink Taco V2 Head's effects loop, clear of Friedman Pink Taco V2 Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

Keep Keeley Eccos Tape Flanged Delay in Friedman JJ-Junior Combo's effects loop, clear of Friedman JJ-Junior Combo's own gain stage

Comes earlier in the signal chain