Pedals that stack with the Komet 4x12

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → high gain)

JHS Angry Charlie is voiced for Vox-style amps — Komet 4x12 gives it exactly that

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → fuzzy)

Into a high headroom tone, Colorsound Overdriver brings a pull toward fuzzy that's missing

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → crunchy)

Komet 4x12 leans into a clean amp's front end, precisely the platform Friedman BE-OD wants

Goes in front of the amp

Audiocade 1974 Colorsound Tremolo Clone's own voicing points at Vox-style amps, and Komet 4x12 delivers it

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (high headroom → compressed)

Universal Audio 1176 Compressor leans toward compressed, and that's a real, usable character to pair with

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Komet 4x12's full voice out front: Electro-Harmonix Canyon goes in Komet 4x12's effects loop so its modulated voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Alter Ego V2 Vintage Echo in Komet 4x12's effects loop, clear of Komet 4x12's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop