Pedals that stack with the Komet Songwriter 30

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Electro-Harmonix Micro Metal Muff TOP Boost is voiced for Vox-style amps — Komet Songwriter 30 gives it exactly that

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

JHS Angry Charlie's own voicing points at Vox-style amps, and Komet Songwriter 30 delivers it

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Vox Valvenergy Copperhead Drive's own voicing points at Vox-style amps, and Komet Songwriter 30 delivers it

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Komet Songwriter 30's dynamic character and Kokko FCP2 Mini Compressor's compressed voice sit in the same lane rather than fighting each other

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Audiocade 1974 Colorsound Tremolo Clone is voiced for Vox-style amps — Komet Songwriter 30 gives it exactly that

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Echoplex EP-3's analog warmth voice goes in Komet Songwriter 30's effects loop — it's not there to compete with Komet Songwriter 30's own dynamic character — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep JHS Lucky Cat Delay limited edition in Komet Songwriter 30's effects loop, clear of Komet Songwriter 30's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop