Pedals that stack with the Laney Cub Super 10

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Laney Cub Super 10 leans toward full, and that's a real, usable character to pair with

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → low gain)

The RAT's cutting, bright drive pushes the Cub Super 10's harmonic preamp gain into tighter, more aggressive saturation.

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, Laney Cub Super 10 brings a pull toward compressed that's missing

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, Laney Cub Super 10 brings a pull toward compressed that's missing

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, Laney Cub Super 10 brings a pull toward compressed that's missing

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)

Into a high headroom tone, Marshall Guv'nor brings a pull toward mid-forward that's missing

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → fuzzy)

Run Black Arts Toneworks LSTR Fuzz into that high headroom platform and it finally leans toward fuzzy

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Laney Cub Super 10 leans this dynamic tone toward compressed, which it doesn't make on its own

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Laney Cub Super 10 leans this dynamic tone toward compressed, which it doesn't make on its own

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, Laney Cub Super 10 brings a pull toward compressed that's missing

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Laney Cub Super 10 leans this dynamic tone toward compressed, which it doesn't make on its own

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Laney Cub Super 10 leans this dynamic tone toward compressed, which it doesn't make on its own

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, Laney Cub Super 10 brings a pull toward compressed that's missing

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Laney Cub Super 10 leans into Marshall-style amps, precisely the platform Origin Effects MAGMA57 Amp Vibrato & Drive wants

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

MXR Dyna Comp leans toward bright, and that's a real, usable character to pair with

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Dunlop MXR M299 Carbon Copy Mini is voiced for a clean amp's front end — Laney Cub Super 10 gives it exactly that — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

Catalinbread Dirty Little Secret Deluxe is voiced for Marshall-style amps — Laney Cub Super 10 gives it exactly that — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop