Pedals that stack with the Laney Digbeth Foundry DBF100

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)

Laney Digbeth Foundry DBF100's bright balances out the dark tone

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)

The RAT's cutting drive pushes the DBF100's punchy FET preamp into tighter, more aggressive saturation.

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)

The DBF100's punchy, FET-driven preamp gives the Geezer Butler's doom-voiced distortion a tighter, cleaner front end to push into.

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → fuzzy)

Into a transparent tone, Beetronics Swarm brings a pull toward fuzzy that's missing

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Feed a crunchy signal into Laney Digbeth Foundry DBF100 and it comes out closer to mid-forward

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Laney Digbeth Foundry DBF100 takes that crunchy character and pushes it toward mid-forward

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Laney Digbeth Foundry DBF100's bright balances out the warm tone

Goes in front of the amp

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → mid-forward)

Laney Digbeth Foundry DBF100 takes that edge of breakup character and pushes it toward mid-forward

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Where this leans warm, Laney Digbeth Foundry DBF100 answers back bright

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Where this leans warm, Laney Digbeth Foundry DBF100 answers back bright

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR Phase 90 after Laney Digbeth Foundry DBF100 in the signal chain, clear of Laney Digbeth Foundry DBF100's own gain stage

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Laney Digbeth Foundry DBF100's bright balances out the warm tone

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Vox Valvenergy Silk Drive leans toward smooth, and that's a real, usable character to pair with

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Laney Digbeth Foundry DBF100's warm balances out the bright tone

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Dunlop MXR M299 Carbon Copy Mini's own voicing points at a clean amp's front end, and Laney Digbeth Foundry DBF100 delivers it — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

Catalinbread Dirty Little Secret Deluxe's own voicing points at Marshall-style amps, and Laney Digbeth Foundry DBF100 delivers it — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop