Pedals that stack with the Laney Digbeth Foundry DBF50 Bass Combo

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Where this leans warm, JHS Angry Charlie answers back bright

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (low gain → fuzzy)

Colorsound Overdriver leans this low gain tone toward fuzzy, which it doesn't make on its own

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Where this leans warm, EarthQuaker Devices White Light answers back bright

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Maestro PS-1A Phase Shifter after Laney Digbeth Foundry DBF50 Bass Combo in the signal chain, clear of Laney Digbeth Foundry DBF50 Bass Combo's own gain stage

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Keeley Compressor Plus's own compressed character is the real reason this is worth trying

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss DD-200 Digital Delay's shimmer voice goes in Laney Digbeth Foundry DBF50 Bass Combo's effects loop — it's not there to compete with Laney Digbeth Foundry DBF50 Bass Combo's own gritty character — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Alexander Pedals History Lesson Vol. 2 in Laney Digbeth Foundry DBF50 Bass Combo's effects loop, clear of Laney Digbeth Foundry DBF50 Bass Combo's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop