Pedals that stack with the Laney Digbeth DB-Pre

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Laney Digbeth DB-Pre in the signal chain, clear of Laney Digbeth DB-Pre's own gain stage

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Laney Digbeth DB-Pre leans toward full, and that's a real, usable character to pair with

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Where this leans bright, Greer Mizuki blue answers back warm

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Catalinbread SFT leans warm right where the bright tone needs it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

T-Rex Junior Roomate's warm voice goes after Laney Digbeth DB-Pre in the signal chain — it's not there to compete with Laney Digbeth DB-Pre's own full character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Laney Digbeth DB-Pre's full voice out front: Line 6 DL4 Delay Modeler goes after Laney Digbeth DB-Pre in the signal chain so its warm voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain