Pedals that stack with the Laney Digbeth 30W 1x10 Bass Combo

gain stackingStacks two gain stages for more saturation than either produces alone. (low gain → fuzzy)

Fjord Fuzz Midnattssol leans this low gain tone toward fuzzy, which it doesn't make on its own

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (low gain → high gain)

The low gain tone has headroom to spare — Wren and Cuff Box of War Small Foot Fuzz leans it toward high gain to fill it in

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Run RHC Rat Turbo Rat Distortion after it and the warm edge settles into something more bright

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Maestro PS-1A Phase Shifter's lush voice goes after Laney Digbeth 30W 1x10 Bass Combo in the signal chain — it's not there to compete with Laney Digbeth 30W 1x10 Bass Combo's own gritty character

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

What Analog Man Comprossor brings here leans toward bright — that's worth building a pairing around

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Alexander Pedals History Lesson Vol. 2 in Laney Digbeth 30W 1x10 Bass Combo's effects loop, clear of Laney Digbeth 30W 1x10 Bass Combo's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss RV-6 Reverb in Laney Digbeth 30W 1x10 Bass Combo's effects loop, clear of Laney Digbeth 30W 1x10 Bass Combo's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop