Pedals that stack with the Laney Digbeth DB200-210 2x10 Bass Combo
← everything about the Laney Digbeth DB200-210 2x10 Bass Combo
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Marshall Guv'nor
Marshall
26% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)
The high headroom tone has headroom to spare — Marshall Guv'nor leans it toward mid-forward to fill it in
Goes in front of the amp
Black Arts Toneworks LSTR Fuzz
Black Arts Toneworks
26% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → fuzzy)
Run Black Arts Toneworks LSTR Fuzz into that high headroom platform and it finally leans toward fuzzy
Goes in front of the amp
Ashdown Geezer Butler Signature
Ashdown
25% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → low gain)
Ashdown Geezer Butler Signature leans this high headroom tone toward low gain, which it doesn't make on its own
Goes in front of the amp
Boss BF-2 Flanger
Boss
13% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Boss BF-2 Flanger after Laney Digbeth DB200-210 2x10 Bass Combo in the signal chain, clear of Laney Digbeth DB200-210 2x10 Bass Combo's own gain stage
Goes in front of the amp
Universal Audio 1176 Compressor
Universal Audio
13% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (high headroom → compressed)
Universal Audio 1176 Compressor leans toward compressed, and that's a real, usable character to pair with
Goes in front of the amp
Binson Echorec Delay
Binson
10% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Binson Echorec Delay in Laney Digbeth DB200-210 2x10 Bass Combo's effects loop, clear of Laney Digbeth DB200-210 2x10 Bass Combo's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
TC Electronic Alter Ego V2 Vintage Echo
TC Electronic
9% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run TC Electronic Alter Ego V2 Vintage Echo in Laney Digbeth DB200-210 2x10 Bass Combo's effects loop, clear of Laney Digbeth DB200-210 2x10 Bass Combo's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop