Pedals that stack with the Laney GH100L
← everything about the Laney GH100L
All 50 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
J. Rockett Steampunk Boost/Buffer
J Rockett
19% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)
Into a transparent tone, Laney GH100L brings a pull toward low gain that's missing
Goes in front of the amp
Voodoo Lab Sparkle Drive
Voodoo Lab
19% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)
Into a transparent tone, Laney GH100L brings a pull toward low gain that's missing
Goes in front of the amp
Vox Vintage Wah
Vox
19% matchLaney GH100L's own transparent character is the real reason this is worth trying
Goes in front of the amp
Providence HBL-4
Providence
19% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)
Into a transparent tone, Laney GH100L brings a pull toward low gain that's missing
Goes in front of the amp
Keeley KTM-B Time Machine Boost
Keeley
19% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)
Laney GH100L leans this transparent tone toward low gain, which it doesn't make on its own
Goes in front of the amp
Mad Professor Loud N Proud
Mad Professor
19% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)
Into a transparent tone, Laney GH100L brings a pull toward low gain that's missing
Goes in front of the amp
Xotic AC Booster V2
Xotic
19% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)
Into a transparent tone, Laney GH100L brings a pull toward low gain that's missing
Goes in front of the amp
MXR Dyna Comp
MXR
19% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
What MXR Dyna Comp brings here leans toward bright — that's worth building a pairing around
Goes in front of the amp
Wampler Andy Wood Gearbox
Wampler
18% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)
Laney GH100L leans this transparent tone toward low gain, which it doesn't make on its own
Goes in front of the amp
Jackson Audio Blossom
Jackson Audio
18% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)
Laney GH100L leans this transparent tone toward low gain, which it doesn't make on its own
Goes in front of the amp
Rodenberg M2-Clean Boost
Rodenberg
18% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)
Laney GH100L leans this transparent tone toward low gain, which it doesn't make on its own
Goes in front of the amp
J. Rockett Aqueous
J Rockett
18% matchWhat Laney GH100L brings here leans toward transparent — that's worth building a pairing around — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Xotic Super Sweet Booster
Xotic
18% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)
Laney GH100L leans this transparent tone toward low gain, which it doesn't make on its own
Goes in front of the amp
Wampler Hot Wired V1
Wampler
18% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)
Laney GH100L leans this transparent tone toward low gain, which it doesn't make on its own
Goes in front of the amp
Fortin Amplification Fourteen dual boost
Fortin Amplification
18% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)
Into a transparent tone, Laney GH100L brings a pull toward low gain that's missing
Goes in front of the amp
Jackson Audio Prism Boost, Buffer,
Jackson Audio
18% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)
Into a transparent tone, Laney GH100L brings a pull toward low gain that's missing
Goes in front of the amp
T-Rex Karma Boost
T Rex
18% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)
Into a transparent tone, Laney GH100L brings a pull toward low gain that's missing
Goes in front of the amp
Walrus Audio Defcon 4 Boost
Walrus Audio
18% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)
Laney GH100L leans this transparent tone toward low gain, which it doesn't make on its own
Goes in front of the amp
Walrus Audio Plainsman Clean Boost
Walrus Audio
18% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)
Into a transparent tone, Laney GH100L brings a pull toward low gain that's missing
Goes in front of the amp
Strymon Compadre
Strymon
18% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)
Laney GH100L leans this transparent tone toward low gain, which it doesn't make on its own
Goes in front of the amp
Suhr Dual Boost
Suhr
18% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)
Into a transparent tone, Laney GH100L brings a pull toward low gain that's missing
Goes in front of the amp
Matthews Effects The Gentleman Overdirve Boost
Matthews Effects
18% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)
Into a transparent tone, Laney GH100L brings a pull toward low gain that's missing
Goes in front of the amp
Mooer Repeater
Mooer
17% matchLaney GH100L's own transparent character is the real reason this is worth trying — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Keeley Hooke
Keeley
17% matchLaney GH100L leans toward transparent, and that's a real, usable character to pair with — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop