Pedals that stack with the Laney GH100TI

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Stack Friedman BE-OD on top and a high gain tone tightens toward tight

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)

Browne Amplification Carbon takes that high gain character and pushes it toward clean boost

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)

The King of Tone's transparent boost stacks with the GH100TI's own massive, thick clean preamp for a fuller push.

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → modulated)

Laney GH100TI leans into Marshall-style amps, precisely the platform Origin Effects MAGMA57 Amp Vibrato & Drive wants

Goes in front of the amp

Catalinbread Dirty Little Secret Deluxe is voiced for Marshall-style amps — Laney GH100TI gives it exactly that — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Both lean toward full and tight respectively — close enough in character that they complement instead of clashing

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Triple Flashback Delay in Laney GH100TI's effects loop, clear of Laney GH100TI's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop