Pedals that stack with the Laney Ironheart IRT-Studio

Catalinbread Adineko

The Adineko's warm, vintage-voiced echo trails cleanest into the IRT-Studio's clean valve channel, before the amp's own saturation crowds them.

Meris LVX Delay

The IRT-Studio's direct USB output captures the LVX's complex ambient delays cleanly for recording. — goes in the amp's FX loop (or last, into a clean amp)

Browne Amplification Carbon

The IRT-Studio's valve, recording-ready gain gives the Carbon's warm, clean-boosted crunch a responsive amp voice.

JHS PackRat 9-Way Rodent Distortion

The PackRat's dark, compressed distortion pushes the IRT-Studio's own valve rhythm tone into something grittier and more classic-rock.

Wampler Plexi Drive

The Plexi Drive's crunchy, Marshall-plexi-voiced boost pushes the IRT-Studio's own valve rhythm gain into classic-rock territory.

Catalinbread STS-88

Laney Ironheart IRT-Studio's own voicing points at Marshall-style amps, and Catalinbread STS-88 delivers it

Subdecay TremCoder

Laney Ironheart IRT-Studio's own voicing points at Marshall-style amps, and Subdecay TremCoder delivers it

JHS 3 Series Screamer

Into JHS 3 Series Screamer, Laney Ironheart IRT-Studio is right at home: it's built around Marshall-style amps

MXR CSP204 Custom Comp Deluxe

Run the Custom Comp Deluxe before the IRT-Studio for punchy, attack-forward compression before the amp's own valve rhythm gain kicks in.

One Control OC Pale Blue

One Control OC Pale Blue leans into Marshall-style amps, precisely the platform Laney Ironheart IRT-Studio wants

GFI System Enieqma Equalizer

Laney Ironheart IRT-Studio's own voicing points at Marshall-style amps, and GFI System Enieqma Equalizer delivers it

Source Audio Programmable EQ 2

Into Source Audio Programmable EQ 2, Laney Ironheart IRT-Studio is right at home: it's built around Marshall-style amps

Source Audio Ventris

Into Source Audio Ventris, Laney Ironheart IRT-Studio is right at home: it's built around Marshall-style amps — goes in the amp's FX loop (or last, into a clean amp)

Electro-Harmonix M76 Studio Compressor

The IRT-Studio's valve, recording-ready gain gives the M76's fast FET compression a responsive amp voice to shape.

MXR M109S

Into MXR M109S, Laney Ironheart IRT-Studio is right at home: it's built around Marshall-style amps

Subdecay Variac

Laney Ironheart IRT-Studio's full balances out the thin tone

MXR CSP203

MXR CSP203 leans into Marshall-style amps, precisely the platform Laney Ironheart IRT-Studio wants

MXR CSP041

MXR CSP041 leans into Marshall-style amps, precisely the platform Laney Ironheart IRT-Studio wants

Meris MR Hedra

Meris MR Hedra leans into Marshall-style amps, precisely the platform Laney Ironheart IRT-Studio wants

Dunlop Billy Gibbons Siete Santos Octavio Fuzz

Laney Ironheart IRT-Studio is voiced for Marshall-style amps — Dunlop Billy Gibbons Siete Santos Octavio Fuzz gives it exactly that

Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator

The IRT-Studio's valve, recording-ready rhythm gain gives the Rotosphere's Leslie swirl a real amp voice to spin through.

Catalinbread Fuzzrite Germanium

Where this leans thin, Laney Ironheart IRT-Studio answers back full

JHS Pedals JHS Coyote

Laney Ironheart IRT-Studio leans full right where the thin tone needs it

TC Electronic Triple Flashback Delay

Keep the Triple Flashback in the IRT-Studio's loop for complex, tube-toned delay beyond the amp's own valve character. — goes in the amp's FX loop (or last, into a clean amp)