Pedals that stack with the Laney LV100

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Browne Amplification Gritador pushes a crunchy tone toward mid-forward

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → clean boost)

The King of Tone's transparent boost stacks with the LV100's own hybrid valve crunch for a fuller push.

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Stack Catalinbread RAH on top and a crunchy tone tightens toward mid-forward

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Maestro Orbit after Laney LV100 in the signal chain, clear of Laney LV100's own gain stage

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Pigtronix Philosopher's Tone Micro's own mid-forward character is the real reason this is worth trying

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Keep Laney LV100's crunchy voice out front: Death By Audio Reverberation Machine goes in Laney LV100's effects loop so its ambient voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

Keep Laney LV100's crunchy voice out front: MXR Analog Delay goes in Laney LV100's effects loop so its warm voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop