Pedals that stack with the Laney LV300H 120W Head

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Feed a crunchy signal into Browne Amplification Gritador and it comes out closer to mid-forward

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → clean boost)

Into the LV300H's hybrid valve crunch, the King of Tone's transparent boost pushes real gain.

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Stack Catalinbread RAH on top and a crunchy tone tightens toward mid-forward

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Maestro Orbit after Laney LV300H 120W Head in the signal chain, clear of Laney LV300H 120W Head's own gain stage

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Laney LV300H 120W Head leans toward crunchy, and that's a real, usable character to pair with

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Keep Boss RV-6 Reverb in Laney LV300H 120W Head's effects loop, clear of Laney LV300H 120W Head's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Keep Laney LV300H 120W Head's crunchy voice out front: Meris LVX Delay goes in Laney LV300H 120W Head's effects loop so its ambient voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop