Pedals that stack with the Laney LX35R
← everything about the Laney LX35R
All 23 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Ibanez Tube Screamer
Ibanez
38% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
A practice combo like the LX35R still gives the Screamer's mid-forward boost real breakup to dig into.
Goes in front of the amp
Browne Amplification Gritador
Browne Amplification
35% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
The LX35R's practice-oriented drive stacks with the Gritador's own asymmetrical midrange clipping.
Goes in front of the amp
MXR Double Down
MXR
34% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Laney LX35R leans this transparent tone toward mid-forward, which it doesn't make on its own
Goes in front of the amp
Catalinbread RAH
Catalinbread
33% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Feed a scooped signal into Catalinbread RAH and it comes out closer to mid-forward
Goes in front of the amp
Carl Martin Crunch Drive
Carl Martin
33% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Into a transparent tone, Laney LX35R brings a pull toward mid-forward that's missing
Goes in front of the amp
Wampler Dracarys
Wampler
30% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Laney LX35R leans this transparent tone toward mid-forward, which it doesn't make on its own
Goes in front of the amp
Caroline Guitar Company The Expensive Amplifier
Caroline Guitar Company
29% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Laney LX35R leans this transparent tone toward mid-forward, which it doesn't make on its own
Goes in front of the amp
Mooer Flex Boost
Mooer
28% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Laney LX35R leans this transparent tone toward mid-forward, which it doesn't make on its own
Goes in front of the amp
Laney TI-Boost
Laney
28% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Into a transparent tone, Laney LX35R brings a pull toward mid-forward that's missing
Goes in front of the amp
WEM CCB-1 Copicat Boost
Wem
28% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Laney LX35R leans this transparent tone toward mid-forward, which it doesn't make on its own
Goes in front of the amp
ThorpyFX Peacekeeper V2 Low-Gain Overdrive
ThorpyFX
28% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Laney LX35R leans this transparent tone toward mid-forward, which it doesn't make on its own
Goes in front of the amp
Warm Audio Dirty Boy Jr. Booster
Warm Audio
28% matchpushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → mid-forward)
Laney LX35R pushes a edge of breakup tone toward mid-forward
Goes in front of the amp
J. Rockett .45 Caliber Overdrive
J Rockett
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Laney LX35R leans this transparent tone toward mid-forward, which it doesn't make on its own
Goes in front of the amp
Carl Martin Boost Kick
Carl Martin
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Into a transparent tone, Laney LX35R brings a pull toward mid-forward that's missing
Goes in front of the amp
MXR Booster
MXR
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Laney LX35R leans this transparent tone toward mid-forward, which it doesn't make on its own
Goes in front of the amp
Friedman Plexi-Drive Mini Overdrive
Friedman
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Into a transparent tone, Laney LX35R brings a pull toward mid-forward that's missing
Goes in front of the amp
Carl Martin CM0026 PlexiRanger Overdrive
Carl Martin
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Into a transparent tone, Laney LX35R brings a pull toward mid-forward that's missing
Goes in front of the amp
Mesa Boogie Tone Burst Boost
Mesa Boogie
26% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Into a transparent tone, Laney LX35R brings a pull toward mid-forward that's missing
Goes in front of the amp
MXR M294 Sugar Drive Mini
Dunlop
26% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Into a transparent tone, Laney LX35R brings a pull toward mid-forward that's missing
Goes in front of the amp
MXR M294 Sugar Drive Mini
MXR
26% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Into a transparent tone, Laney LX35R brings a pull toward mid-forward that's missing
Goes in front of the amp
MXR Dyna Comp
MXR
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Compression first, drive second — the Dyna Comp keeps the LX35R's own scooped practice drive from getting spiky.
Goes in front of the amp
One Control Persian Green Screamer
One Control
21% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
The Persian Green Screamer's TS-style, blues-voiced overdrive gives the LX35R's own scooped practice drive extra midrange push.
Goes in front of the amp
Boss RV-5 Digital Reverb
pedal
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Boss RV-5 Digital Reverb in Laney LX35R's effects loop, clear of Laney LX35R's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Electro-Harmonix XO Deluxe Memory Man
Electro-Harmonix
11% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → modulated)
Run Electro-Harmonix XO Deluxe Memory Man in Laney LX35R's effects loop, clear of Laney LX35R's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop