Pedals that stack with the Laney LX65R

EarthQuaker Devices Dispatch Master V2

Feed the LX65R's clear, headroom-rich platform with the Dispatch Master's lush hall reverb for wash that stays defined instead of muddy. — goes in the amp's FX loop (or last, into a clean amp)

Ibanez Tube Screamer

The LX65R's gigging-ready headroom and drive give the Screamer's mid-forward boost a versatile amp platform.

ProCo RAT 2

Push the LX65R's gigging-ready headroom with the RAT 2's bright, cutting distortion and the two stages stack instead of just adding volume.

Walrus Audio Eons

Dial the Eons into its low-gain fuzz mode and let the LX65R's drive channel finish the saturation.

Dunlop Joe Bonamassa Fuzz Face JB-F3 Copper Top

Laney LX65R's own voicing points at Marshall-style amps, and Dunlop Joe Bonamassa Fuzz Face JB-F3 Copper Top delivers it

Keeley Parallax

Keeley Parallax leans into Marshall-style amps, precisely the platform Laney LX65R wants — goes in the amp's FX loop (or last, into a clean amp)

Tech 21 RotoChoir

Laney LX65R's own voicing points at Marshall-style amps, and Tech 21 RotoChoir delivers it

ZVEX Double Rock Vexter

Laney LX65R's own voicing points at Marshall-style amps, and ZVEX Double Rock Vexter delivers it

Spaceman Mercury IV Germanium Harmonic Boost

Laney LX65R's own voicing points at Marshall-style amps, and Spaceman Mercury IV Germanium Harmonic Boost delivers it

Revv Amplification G3 V2

Laney LX65R is voiced for Marshall-style amps — Revv Amplification G3 V2 gives it exactly that

Carl Martin Comp/Limiter

Carl Martin Comp/Limiter leans into Marshall-style amps, precisely the platform Laney LX65R wants

Crazy Tube Circuits Mirage Jr

Into Crazy Tube Circuits Mirage Jr, Laney LX65R is right at home: it's built around Marshall-style amps — goes in the amp's FX loop (or last, into a clean amp)

One Control Rebel Red Distortion 4K OC-RRD4Kn

Laney LX65R's own voicing points at Marshall-style amps, and One Control Rebel Red Distortion 4K OC-RRD4Kn delivers it

Wylde Audio WA90

Laney LX65R's own voicing points at Marshall-style amps, and Wylde Audio WA90 delivers it

KMA Machines Geminus

KMA Machines Geminus leans into Marshall-style amps, precisely the platform Laney LX65R wants — goes in the amp's FX loop (or last, into a clean amp)

Catalinbread Antichthon Otherwordly Oscillating Fuzz

Laney LX65R is voiced for Marshall-style amps — Catalinbread Antichthon Otherwordly Oscillating Fuzz gives it exactly that

Ibanez Layer Delayer

Into Ibanez Layer Delayer, Laney LX65R is right at home: it's built around Marshall-style amps — goes in the amp's FX loop (or last, into a clean amp)

Keeley Hydra

Into Keeley Hydra, Laney LX65R is right at home: it's built around Marshall-style amps — goes in the amp's FX loop (or last, into a clean amp)

Source Audio Collider

Laney LX65R is voiced for Marshall-style amps — Source Audio Collider gives it exactly that — goes in the amp's FX loop (or last, into a clean amp)

Source Audio Kingmaker

Into Source Audio Kingmaker, Laney LX65R is right at home: it's built around Marshall-style amps

Source Audio Atlas

Laney LX65R's own voicing points at Marshall-style amps, and Source Audio Atlas delivers it

Walrus Audio D1 MKII

Into Walrus Audio D1 MKII, Laney LX65R is right at home: it's built around Marshall-style amps — goes in the amp's FX loop (or last, into a clean amp)

MXR Dyna Comp

Ahead of the LX65R, the Dyna Comp's squash keeps the pick attack from overdriving the amp's gigging-ready gain unevenly.

Mu-Tron Bi-Phase

Layer the Bi-Phase's subtle, stage-ready sweep after the LX65R's own driven headroom for movement without losing the amp's own gigging punch.