Pedals that stack with the Laney Richter

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

The Richter's practical, stage-monitoring EQ gives the SFT's thick, compressed British drive a versatile front end to push into.

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)

Xotic BB Preamp leans smooth right where the bright tone needs it

Goes in front of the amp

Laney Richter leans into Marshall-style amps, precisely the platform Catalinbread Dirty Little Secret MKI wants

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Laney Richter's stage-monitoring eq pairs with the Rotosphere's psychedelic Leslie motion for swirling, rotary-style color rather than more drive.

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)

What Ashdown Velvet Compressor brings here leans toward compressed — that's worth building a pairing around

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Walrus Audio Fable in Laney Richter's effects loop, clear of Laney Richter's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Line 6 DL4 Delay Modeler in Laney Richter's effects loop, clear of Laney Richter's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop