Pedals that stack with the Line 6 Catalyst 60
← everything about the Line 6 Catalyst 60
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Klon Centaur
Klon
32% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → medium gain)
Into a high headroom tone, Klon Centaur brings a pull toward medium gain that's missing
Goes in front of the amp
Sola Sound Tone Bender MkII
Sola Sound
32% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → fuzzy)
Into the Catalyst's clean, high-headroom channel, the Tone Bender's germanium fuzz has room to bloom instead of farting out.
Goes in front of the amp
Way Huge Swollen Pickle
Way Huge
31% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → fuzzy)
Into a high headroom tone, Way Huge Swollen Pickle brings a pull toward fuzzy that's missing
Goes in front of the amp
Boss CE-1 Chorus Ensemble
pedal
22% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → modulated)
The Catalyst 60 already models modulation and delay, but stacking the CE-1's vintage stereo chorus in front still gives a thicker, more analog swirl.
Goes in front of the amp
MXR Dyna Comp
MXR
18% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.
The Dyna Comp evens out pick attack before it reaches the Catalyst 60's own tight, high-gain channel.
Goes in front of the amp
Fender Hammertone Reverb
Fender
15% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Fender Hammertone Reverb's lush voice goes in Line 6 Catalyst 60's effects loop — it's not there to compete with Line 6 Catalyst 60's own high gain character — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Strymon BigSky
Strymon
15% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)
Strymon BigSky's ambient voice goes in Line 6 Catalyst 60's effects loop — it's not there to compete with Line 6 Catalyst 60's own high gain character — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop