Pedals that stack with the Magnatone 460

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Stack the Nectar's boutique low-gain saturation into the Magnatone 460's stereo pitch-vibrato and the modulation gets a driven signal to swirl.

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → low gain)

Stack the RAT ahead of the 460 and its cutting drive pushes the amp's stereo vibrato into thicker, grittier territory.

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Beetronics Swarm layers fuzzy onto an already mid-forward signal

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Magnatone 460's mid-forward voice out front: MXR Phase 90 goes after Magnatone 460 in the signal chain so its analog warmth voice doesn't muddy it

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (high headroom → compressed)

The SlideRIG's transparent squeeze evens out the signal before the 460's own true-pitch vibrato and tremolo shape it.

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Carbon Copy Mini's dark, ambient slapback delay belongs in the Magnatone 460's loop, clear of the amp's own stereo pitch-vibrato. — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

The Memory Man's lush analog echo belongs in the Magnatone 460's loop, clear of the amp's own stereo pitch-vibrato. — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop