Pedals that stack with the Marshall 1959JMH-U Handwired 1959 100w Limited Edition
← everything about the Marshall 1959JMH-U Handwired 1959 100w Limited Edition
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Beetronics Buzzter Boost Preamp
Beetronics
27% matchpushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → clean boost)
Beetronics Buzzter Boost Preamp pushes a edge of breakup tone toward clean boost
Goes in front of the amp
Analog Man King of Tone
Analog Man
24% matchpushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → clean boost)
Analog Man King of Tone takes that edge of breakup character and pushes it toward clean boost
Goes in front of the amp
Browne Amplification Carbon
Browne Amplification
23% matchpushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → clean boost)
Browne Amplification Carbon takes that edge of breakup character and pushes it toward clean boost
Goes in front of the amp
Origin Effects MAGMA57 Amp Vibrato & Drive
Origin Effects
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Origin Effects MAGMA57 Amp Vibrato & Drive after Marshall 1959JMH-U Handwired 1959 100w Limited Edition in the signal chain, clear of Marshall 1959JMH-U Handwired 1959 100w Limited Edition's own gain stage
Goes in front of the amp
Acoustic Strymon Compadre Dual Voice Compressor
Acoustic
12% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
Acoustic Strymon Compadre Dual Voice Compressor leans toward compressed, and that's a real, usable character to pair with
Goes in front of the amp
Catalinbread Dirty Little Secret Deluxe
Catalinbread
10% matchKeep Catalinbread Dirty Little Secret Deluxe in Marshall 1959JMH-U Handwired 1959 100w Limited Edition's effects loop, clear of Marshall 1959JMH-U Handwired 1959 100w Limited Edition's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Caroline Guitar Company Kilobyte
Caroline Guitar Company
7% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Caroline Guitar Company Kilobyte in Marshall 1959JMH-U Handwired 1959 100w Limited Edition's effects loop, clear of Marshall 1959JMH-U Handwired 1959 100w Limited Edition's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Related
- everything about the Marshall 1959JMH-U Handwired 1959 100w Limited Edition
- alternatives to the Marshall 1959JMH-U Handwired 1959 100w Limited Edition
- gear with a similar tone character to the Marshall 1959JMH-U Handwired 1959 100w Limited Edition
- amplifiers like the Marshall 1959JMH-U Handwired 1959 100w Limited Edition
- what pairs with the Marshall 1959JMH-U Handwired 1959 100w Limited Edition
- best amplifier for classic rock
- best amplifier for blues rock
- Marshall gear
- most popular amplifiers