Pedals that stack with the Marshall 1987 50-Watt Plexi
← everything about the Marshall 1987 50-Watt Plexi
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Dallas Rangemaster Treble Booster
Dallas
30% matchUsed together by 1 artist
shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
Into Marshall 1987 50-Watt Plexi, Dallas Rangemaster Treble Booster is right at home: it's built around a clean amp's front end
Goes in front of the amp
Univox Super-Fuzz
Univox
29% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
Into a dynamic tone, Univox Super-Fuzz brings a pull toward compressed that's missing
Goes in front of the amp
Black Arts Toneworks LSTR Fuzz
Black Arts Toneworks
29% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → fuzzy)
The transparent tone has headroom to spare — Black Arts Toneworks LSTR Fuzz leans it toward fuzzy to fill it in
Goes in front of the amp
Pigtronix Philosopher King
Pigtronix
19% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
Both lean toward dynamic and compressed respectively — close enough in character that they complement instead of clashing
Goes in front of the amp
Origin Effects MAGMA57 Amp Vibrato & Drive
Origin Effects
18% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Origin Effects MAGMA57 Amp Vibrato & Drive after Marshall 1987 50-Watt Plexi in the signal chain, clear of Marshall 1987 50-Watt Plexi's own gain stage
Goes in front of the amp
Catalinbread Dirty Little Secret Deluxe
Catalinbread
13% matchRun Catalinbread Dirty Little Secret Deluxe in Marshall 1987 50-Watt Plexi's effects loop, clear of Marshall 1987 50-Watt Plexi's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Dunlop MXR M299 Carbon Copy Mini
Dunlop
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Into Marshall 1987 50-Watt Plexi, Dunlop MXR M299 Carbon Copy Mini is right at home: it's built around a clean amp's front end — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
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