Pedals that stack with the Marshall Code 100 Combo

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)

The King of Tone's transparent boost stacks with the Code 100's own digital high-gain voice for a fuller push.

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Catalinbread RAH takes that high gain character and pushes it toward mid-forward

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Stack Friedman BE-OD on top and a high gain tone tightens toward tight

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → modulated)

Put Origin Effects MAGMA57 Amp Vibrato & Drive after Marshall Code 100 Combo in the signal chain, clear of Marshall Code 100 Combo's own gain stage

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Put Meris LVX Delay in Marshall Code 100 Combo's effects loop, clear of Marshall Code 100 Combo's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Put Walrus Audio Fathom in Marshall Code 100 Combo's effects loop, clear of Marshall Code 100 Combo's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Marshall Code 100 Combo leans toward pristine, and that's a real, usable character to pair with

Goes in front of the amp