Pedals that stack with the Marshall DSL5CR

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

The DSL5CR's warm, high-gain tube channel gives the Gritador's asymmetrical clipping plenty of saturation to push into.

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)

Analog Man King of Tone pushes a high gain tone toward clean boost

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Into a transparent tone, Marshall DSL5CR brings a pull toward high gain that's missing

Goes in front of the amp

Marshall DSL5CR's own high gain character is the real reason this is worth trying — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Marshall DSL5CR leans this transparent tone toward high gain, which it doesn't make on its own

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)

Browne Amplification Carbon pushes a high gain tone toward clean boost

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Into a transparent tone, Marshall DSL5CR brings a pull toward high gain that's missing

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Into a transparent tone, Marshall DSL5CR brings a pull toward high gain that's missing

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Marshall DSL5CR leans this transparent tone toward high gain, which it doesn't make on its own

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → high gain)

Both lean toward medium gain and high gain respectively — close enough in character that they complement instead of clashing

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Marshall DSL5CR leans this transparent tone toward high gain, which it doesn't make on its own

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Into a transparent tone, Marshall DSL5CR brings a pull toward high gain that's missing

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Marshall DSL5CR's own high gain character is the real reason this is worth trying

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Marshall DSL5CR leans this transparent tone toward high gain, which it doesn't make on its own

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → modulated)

Put Origin Effects MAGMA57 Amp Vibrato & Drive after Marshall DSL5CR in the signal chain, clear of Marshall DSL5CR's own gain stage

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Marshall DSL5CR leans this transparent tone toward high gain, which it doesn't make on its own

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Marshall DSL5CR leans this transparent tone toward high gain, which it doesn't make on its own

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Into a transparent tone, Marshall DSL5CR brings a pull toward high gain that's missing

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Marshall DSL5CR leans this transparent tone toward high gain, which it doesn't make on its own

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Marshall DSL5CR leans this transparent tone toward high gain, which it doesn't make on its own

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Marshall DSL5CR leans this transparent tone toward high gain, which it doesn't make on its own

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Marshall DSL5CR leans this transparent tone toward high gain, which it doesn't make on its own

Goes in front of the amp

Marshall DSL5CR leans toward high gain, and that's a real, usable character to pair with

Goes in front of the amp

What Marshall DSL5CR brings here leans toward high gain — that's worth building a pairing around

Goes in front of the amp