Pedals that stack with the Marshall Jmp Master Volume 1970s

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → clean boost)

Stack Browne Amplification Carbon on top and a edge of breakup tone tightens toward clean boost

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Colorsound Overdriver layers fuzzy onto an already mid-forward signal

Goes in front of the amp

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → clean boost)

Stack Analog Man King of Tone on top and a edge of breakup tone tightens toward clean boost

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Origin Effects MAGMA57 Amp Vibrato & Drive after Marshall Jmp Master Volume 1970s in the signal chain, clear of Marshall Jmp Master Volume 1970s's own gain stage

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

What Universal Audio 1176 Compressor brings here leans toward compressed — that's worth building a pairing around

Goes in front of the amp

Catalinbread Dirty Little Secret Deluxe's full voice goes in Marshall Jmp Master Volume 1970s's effects loop — it's not there to compete with Marshall Jmp Master Volume 1970s's own mid-forward character — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Put Electro-Harmonix Canyon in Marshall Jmp Master Volume 1970s's effects loop, clear of Marshall Jmp Master Volume 1970s's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop